Page 16 - Mounted Oriental Porcelain Getty Museum
P. 16

FIGURE i. Glass bowlof
                                                                Persian make with Byzantine
                                                                silver-gilt mounts, dating from
                                                                the eleventh century. Venice,
                                                                Treasury of Saint Mark's.
                                                                Photo: Osvaldo Bohm.

with jewels, was long thought to be of Chinese porcelain              730. Item un pot de pourcellaine,a un ance d3argent
(fig. i). Today it is generally agreed to be glass of Persian         blanc et le demourant avec le couvercle garni d3argent
origin created under Chinese inspiration.                             dore; et dessous le couvercle a un esmail de pelit,
                                                                      pesant i marc v onces xv sterlins.
      Those Far Eastern porcelains that occasionally                  731. Item un autre pot de pourcellaine, avec Vance de
passed into secular hands during the late medieval and                memes garnie d3argent d'ore; et dessus le fretelet un
Renaissance periods were mounted and treasured as                     roze d3argent doree; pesant i marc i once.15
great rarities. Thus as early as 1365, Louis due d'Anjou
is known to have possessed a bowl of blue-and-white                   Perhaps of an even earlier date than these was a
porcelain of Yuan dynasty ware which was particularly           ewer given the duke in November 1410 (as the inventory
richly mounted with silver-gilt and enamel. It was an
object of some size, for it is described in an inventory of     tells us) by the anti-pope John xxm (of Gibbonian fame):
1379-80 as an escuelle pour fruiterie.l4f The mount had
a distinctly ecclesiastical flavor, since the foot was sur-     "Item une aiguiere de pourcellaine ouvree, le pie, cou-
mounted by six busts of apostles. The silver rim, how-          vercle et biberon de laquelle sont d3argent dore."16 This
ever, was secular and enameled with hunting scenes.             piece was evidently not of blue-and-white porcelain but
From this rim depended three rings with enameled                of the white Yuan ware with incised or applied reliefs,
shields displaying the duke's arms, which were attached         which was exceedingly rare in Europe during this period.
by gilt knobs set with pearls and garnets. Less than a          It may be compared with the Gaignieres-Beckford vase
decade later we learn from the will of Jeanne d'Evreux,
queen of Navarre, that she possessed: "Un pot a eaux de         mentioned below.
pierre de purcelleine a un couvercle d*argent et bordee               A century later such things were still rare and highly
d*argent pesant un marc iiii onces, prisiee iiij francs d'or."
                                                                prized in France. Thus we find listed amongst Francois I's
      Porcelain must have been becoming a little less rare,     possessions at the chateau de Fontainebleau: "Une petite
for a little later, the due d'Anjou's brother, the great
Maecenas Jean due de Berry, possessed several pieces of         vase de porcelaine avec son couvercle, avec le pied et le
both mounted and unmounted Chinese porcelain. In the            biberon d'argent dore."17
inventories of his possessions drawn up between 1401
and 1416, we find mention of:                                         It was the same in Italy. Amongst the pieces men-

                                                                tioned in the inventory of Piero de' Medici's Gioie e
                                                                Simile Cose, there are several pieces of Chinese porce-
                                                                lain including: "Una choppa de porcellana leghata in
                                                                oro,"ls although we do not know at what date this
                                                                piece entered the Medici collection.

                                                                INTRODUCTION 3
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