Page 256 - Chinese Art, Vol II By Stephen W. Bushell
P. 256

74                   CHINESE ART.

                   only occasionally practised as a survival, having been supplanted
                   by a more modern process of hammering the bronze into repousse
                   patterns, and filling in the details, more or less completely, with
                   enamel colours, used singly or in multiple combination.
                     Byzantiiun was,  it is well known, the great seat of the industry
                   of enamelling in the middle ages of Christendom, and important
                   relics of their work in champleve, as well as in cloisonne enamels,
                   are still extant.  The work there is said to date back at least to
                   the time of Justinian.  The word smaltum  is found for the first
                   time in a life of Leo IV., written in the gth century.  The artist-
                   monk, Theophilus,  in  his work Diversarum  Artiiim  Schedula, a
                   compendium of the industrial arts of his day, has given a minute
                   description of the way in which the Byzantine enamellers of the
                   loth century  carried on  their work.  Their treatment  of  the
                   cloisonne method as described by him  is so remarkably similar
                   to that of the Chinese craftsmen of the present day as to confirm
                   the theory of affiliation which was suggested above.  Most of the
                   Byzantine enamels were executed on plates of gold  : and Theophilus
                   gives full details regarding the cutting of the gold bands, soldering
                   them to the surface of the gold excipient, pulverising the coloured
                   glasses, placing them in the cells formed by the filigree, joining the
                   piece, and polishing the surface.  The art was practised in Con-
                   stantinople down to the 14th century, but in the meantime events
                   occurred there which led to the dispersal of the enamellers to all
                   parts of the world,  east as well as west.  It was at this time,
                   doubtless, that this  art reached the northern borders  of China,
                   probably through Armenia and Persia.
                     The thirteenth century was the period, as was stated in the
                   historical introduction in Chaj).  I., that the conquest of nearly the  -
                                                                             '
                   whole of Asia and part of eastern Europe by the Mongols opened
                   up a way for the introduction of new industrial arts, and there is
                   reason to believe that the art of enamelling was  first practised
                   in China about this time.  The court that the great Khans held at
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