Page 311 - Chinese Art, Vol II By Stephen W. Bushell
P. 311

JEWELLERY.                        89

             For jewellery of more decorative character the Chinese employ
           most of the technical methods known in the west, and supplement
           the simple tools at their command by an  infinite patience and
           dexterity.  Thus  plates  are  pressed  in moulds, hammered  in
           repousse style, carved in elaborate openwork designs, and finished
           with the graving  tool,  to be fashioned into earrings,  hair-pins,
           and  the many other  articles  of personal  adornment  in which
           Chinese women   and  children  delight.  Manchn  and  Chinese
           ladies adopt  distinctive  styles,  especially in  the accessories of
           their head-dress, and there are many restrictions  prescribed by
           sumptuary laws, which are known only to the initiated.
             In the art of filigree work the Chinese jeweller has attained such
           proficiency as to make it in some degree distinctive of the country.
           This is occasionally executed in gold, as in the bracelet fashioned
           in the likeness of two serpents illustrated in Fig. 105  :  but more
           commonly in silver gilt, the gilding being added to prevent tarnish-
           ing as well as for show.  An effective addition to the filigree work
           is an inlay of the accompanying details with the turquoise-tinted
           plumes of the king-fisher  (fci-ts'ui), which  is almost peculiar to
           China  :  its chief objection being its want of durability, the side
           plumes of the feathers being only gummed on to the thin plates
           prepared for the purpose, so that they quickly wear off.
             Enamelling is a more durable combination than feather work,
           and this also is widely practised.  The dark blue vitrifiable enamel
           obtained from the native cobaltiferous ore of manganese is a fav-
           ourite inlay for silver objects, the pale turquoise blue afforded by
           copper being more used with gold, but both tints are sometimes
           combined in one scheme of decoration.  Another special branch
           of the enameller's art consists in the preparation  of imitation
           stones and jewels in coloured iiuxes of appropriate tint, which so
           often take the place of real stones in Chines6 jewellery.
             Precious stones, when they are used, are not cut in facets, they
           are merely polished and set en cabochon.  The gems, and the pearls,
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