Page 375 - Chinese Art, Vol II By Stephen W. Bushell
P. 375

PICTORIAL ART.                     I2i

            Ch'uan, the ruler of the principality of Wu.  He was famous for
            his delineations of dragons and  of wild and domestic animals,
            as well as for figure scenes, and many legends are extant of his
            marvellous skill.  Commissioned to paint a screen he accidentally
            made a blot and turned it into a fly so cleverly that the emperor,
            when he saw  it, tried to flip it off with his sleeve.  Another myth
            relates circumstantially that in the tenth month in winter in the
            year a.d. 23S a red dragon was seen to swoop down from heaven
            and swim about in the lake, so that the artist was able to outline
            its form, and the emperor wrote an appreciative inscription on
            the picture  ; and that two centuries later, after a prolonged drought
            and many unavailing prayers, when the picture was at last brought
            out and unrolled over the water, clouds immediately gathered
            in the sky, followed by an abundant fall of rain, as though evoked
            by a living dragon.
              The material generally used at this time for water-colour pictures
            was silk. Ku K'ai-chih, to be noticed presently, describes in a treatise
            on painting, written in the fourth century, the care he always took in
            selecting a close, evenly woven texture that would not warp, 2y|y feet
            in breadth, for his own use.  When finished the picture was pasted on
            thick paper, with borders of brocade, mounted at the ends with rollers
            of wood tipped with metal, and when rolled up it was tied round
            with  silk cords fastened with tags of jade or ivory.  The usual
            form was the chi'ian, or volmnen, the Japanese niakimono, ranging
            m length from a foot or so to forty or more feet, the length of a
            full piece of silk.  It was laid horizontally on the table to be painted
            with one or several scenes, spaces being left at the ends for seals,
            inscriptions, and critical appreciations. A second form was the
            hanging scroll, the Japanese kakemono, generally of shorter length,
           and painted vertically.
             Bamboo was perhaps the earliest material used for painting and
           writing in China, cut into lengths of about a foot or a little more
           and split longitudinally into tablets of convenient  size.  It was
                8941.                                           2 T
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