Page 374 - Chinese Art, Vol II By Stephen W. Bushell
P. 374

120                  CHINESE ART.                 —
                   portraits and favoured them accordingly.  The ladies of the palace all bribed
                   the painters, with the exception of Chao Chiin, who refused, and who con-
                   sequently never saw the emperor.  Afterwards, when the Hiung-nu chief
                   came to Court to seek a beauty for his bride, the Emperor chose Chao Chiin
                   from her portrait, but repented when she came for farewell audience and he
                   saw for the first time her peerless charms.  The articles were signed, and it
                   was too late to draw back, so he sent Mao Yen-shou and his corrupt con-
                   federates for trial, and they were executed in the market-plac" on the same
                   day."
                     The two most renowned painters of the 2nd century  .^.D. were
                   Ts'ai Yung (133-192), who was at the same time a high official,
                   a fine musician, and a poet, as well as a calligraphist and artist,
                   and painted figures of celebrated people for the emperor Ling Ti
                   which he presented with commemorative verses of his own com-
                   position  ; and Liu Pao, who rose to be governor of the province
                   of Ssuch'uan, and was a skilful landscape painter, so that
                     " His pictures of misty plains made men feel hot. while those swept by the
                   north wind made them shiver."
                   Next came Chu-ko Liang  (.\.d.  iSi-234), the conqueror  of  the
                   south-western border lands of China, who introduced a new civili-
                   sation to the wild Tibetan and Shan aboriginal tribes by means of
                   pictures, which  are said to have impressed them greatly.  His
                   varied subjects were — (i) the heavens and the earth, the sun
                                      :
                   and moon, the sovereign and his ministers,  cities and palaces
                                                                            ;
                   (2) celestial gods and dragons, domestic animals like the ox, horse,
                   camel and goat    processions of the viceroj' accompanied by a
                                 ;  (3)
                   retinue of horsemen carrjnng  flags and banners  parties of
                                                               ;  (4)
                   foreigners leading oxen laden with wine, bringing gold and precious
                   things.
                     Ts'ao Fu-hsiug, a more noted artist than the last, with whom
                   he was nearly contemporary, is generally ranked as the first of the
                   early masters of Chinese art, and this is the name which is placed
                   by the emperor K'ang Hsi, in the preface quoted above, at the head
                   of his  list. A native  of Wu-hsing,  the modern Hu-chou-fu  in
                   the province  of  Chekiang, he was attached to the court of Sun
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