Page 369 - Chinese Art, Vol II By Stephen W. Bushell
P. 369

PICTORIAL ART.                     115


             up to the close ol the Ming dynasty in 1643 have been collated for
             the use of students and connoisseurs in the celebrated imperial
             encycIopcX'dia of calligraphists and artists which is entitled P'ei-Wi'n-
             Chai Shii Hiia P'li, P'ei Win Chai being the name of one of the
                                                                "
             palace libraries at Peking famous for its collections of shii  manu-
             scripts "  and hua paintings.  This encyclopedia was compiled by a
             commission of eleven scholars and artists appointed by a decree of
             the emperor K'ang Hsi in the forty-fourth year (1705) of his reign.
             It was published in 170S, in 100 books, or fasciculi, bound in sixty-
             four volumes, with a preface written by the vermilion pencil of the
             emperor himself.  This preface  gives a sketch of the origin and
             development of the two allied arts, and traces painting back to
             its germs in the pictographic script of ancient times; although the
             emperor says that painting was first practised as an art under the
             Ch'in  and Han dynasties  (b.c.  221-a.d.  264), and  flourished
             most during the  '  six djmasties  "  (which reigned between the Han
             and Sui, from a.d. 265 to 587, at Kien-yeh, the modem Nanking).
             The  first half of this period, he says, was made illustrious by the
             genius  of  Ts'ao, Wei, Ku, and Lu, while the second half was
             famed for Tung, Chan, Sun, and Yang.  Among the artists of the
             Sui dynasty (581-617) the emperor selects Ho and Cheng, and as
             representations of the T'ang dynasty (618-906) he names Yen and
             Wu, adding that the four last named painted Buddhist subjects
             and  historical scenes so as  to illustrate antiquity with a living
             brush.  In addition to the preface, the emperor, at the request
             of  the  editors,  permitted  a  selection  of  his autograph head-
             ings and critical appreciations, written in Chinese fashion as certi-
             ficates of authenticity on some of the pictures in the library, to be
             printed in book 67 (see next page).
               The table of contents  is followed by a lengthy bibliography
             of special value giving the titles of 1,844 books quoted in the ency-
             clopaedia, with the authors' names attached to each. The important
             books are always quoted in  full m the text, extracts only from
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