Page 399 - Chinese Art, Vol II By Stephen W. Bushell
P. 399

PICTORIAL ART.                      137


              a small hunting bow with a quiver of arrows on his left arm, and a
              pheasant hangs dowar  behind beside the saddle-bag  of leopard
              skin.
                The next picture, in Fig. 129, is a white falcon from the Anderson
              collection, now in the British Museum, which  is attributed  in the
              catalogue  to tie emperor Hui Tsung of the Sung dynasty,  but
              bears no  seal.  It  is  drawn  in a  simple  but  masterly  style-
              The  feathers  are  touched  at  their  extremities  with  white
              and  stand  out  boldly  from  the dark brown ground  of  the
              silk.  This emperor, who reigned 1101-1125, signalised the  first
              year of his reign by establishing an imperial academy of calligraphy
              and painting, the members of which were selected by open com-
              petition.  He was a great collector of antiquities and art objects,
              but his collections were all dispersed in 1125, when the emperor
              was carried off to Tartary and kept a prisoner there till his death
              in 1135. A clever artist himself, he was famed for his pictures of
              eagles, falcons, and other birds, on one of which a critic wrote  :
              "  What joy to be limned by a divine hand  !  "  No collection of
              any pretension in China  is complete without a falcon drawn by
              Hui Tsung, but they are not all genuine, even when caparisoned
              with a full array of seals.  The authenticity of the example before
              us has been challenged, but the verdict may meanwhile be left
              open, to be decided some day by a competent Chinese connoisseur.
                The emperor Hui Tsung had a series of catalogues of his various
              collections compiled by commissions of scholars and experts appoint-
              ed for the pm-posc.  The illustrated catalogues of his bronze and
              jade antiquities were cited in Vol. I. as invaluable aids to the study
              of archfeology.  For the fine arts of calligraphy and painting we
              have the Hsuan Ho Shu P'u, the  "  collection of Manuscripts in
              the Hsiian Ho (Palace)," and the Hsiian Ho Hua P'u, the  "  Col-
              lection of Paintings in the Hsiian Ho (Palace)."  Hsiian Ho was
              the name of one of the principal palaces in the imperial city of
              K'ai-feng-fu in Honan, which was the capital of China at the time.
   394   395   396   397   398   399   400   401   402   403   404