Page 403 - Chinese Art, Vol II By Stephen W. Bushell
P. 403

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                                  PICTORIAL ART.                     139

              a storm of rain  (l<'ng  yil  si'ng), and the  like.  A supplement  is
              reserved at the end for portrait painters (hsieh chen).
                3. Kung Shih, " Palaces and buildings," Book 8.—Devoted to
              architectural subjects.  Among the titles of pictures we find the
              vast palace A-fang Kung, built b.c. 212 by Shih Huang, the maker
              of the Great Wall  ; the luxurious palaces of the Han dynasty at
              their two capitals of Si-ngan and Lo-yang  ; many famous Buddhist
              monasteries with temples, cloisters and pagodas  ; the fabled realms
                                                                      A
              of Hsi Wang Mu and the celestial paradise of the Taoists, etc.
              section in this class is reserved for the painters of ships, of chariots,
              palanquins, and the like.
                4. Fan Tsu,  " Barbarian Tribes," last section of the 8th Book.
              Pictures of nomad life beyond the frontier, Turkish, Tibetan, and
              other types foreign to China horsemen in foreign costume, caravans
                                      ;
              and hunting scenes, tribute- ijearing missions, and Chinese princesses
              going  abroad  with  their  escorts  ;  strange  customs, unknown
              animals and other remarkable productions of alien lands.
                5. Lung Yi/,  "  Dragons and Fish," Book 9.—Together with other
              water animals affected by the Chinese  artist, such as alligators,
              crabs, crayfish, and the like.  The dragon in Chinese folk-lore  is
              a transformed  fish,  it  is figured riding the storm half-hidden in
              rolling clouds, in opposition often to the tiger, the king of land
              animals, which is represented roaring its defiance  to  the unseen
              power of the spirit.
                6. Shan Shiii, literally  "  Hills and Water," i.e., landscape, Books
              10-12.—There were no landscapes in the collection anterior to the
              T'ang dynasty (61S-906).  The list opens with Li SsH-hsiin, the great-
              grandson of the founder of the T'ang dynasty, the first landscape
              painter of his time, who is celebrated as the founder of the Northern
              School, one of the chief characteristics of which was its brilliant
              colouring.  Wang-Wei (699-759),  the founder of the literary or
              idealist school, some of the most famous productions of which were in
              black and wliite, was represented in the Emperor Hui Tsung's gallery
                 8941.                                           2 A 2
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