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avaricious and gluttonous  creature,  taotie  饕餮 had an insatiable
                                                                                                   appetite for human beings. He eventually became so gluttonous that
                                                                                                   he was unable to digest all that he devoured, until one day a human
                                                                                                   victim got caught in his throat and he choked, with the result that his
                                                                                                   lower body gradually disappeared, leaving only his big greedy face, a
                                                                                                   fierce reminder to all of the ill, self-harming effects of avarice, gluttony
                                                                                                   and wastefulness.


                                                                                                   Interestingly  enough,  the  individual  definitions  of  the  two  Chinese
                                                                                                   characters that make up the name of the mythological creature taotie
                                                                                                   饕餮 are, in themselves, quite indicative of the multi-faceted meaning
                                                                                                   behind this ancient decorative element. The character tao 饕 which is
                                                                                                   formed of the radical shi 食 or ‘eat’ superimposed with the character hao
                                                                                                   號, meaning by itself ‘crying out’ or roaring like the wind, has a double
                                                                                                   meaning, the first being violent, wild, raging, ferocious and the second,
                                                                                                   especially when used in combination with tie 餮, being ‘greedy’, both as
                                                                                                   regards food and possessions. The second character in the phrase tie
                                                                                                   餮, is also composed of the radical shi 食 ‘eat’ but is superimposed by
                                                                                                   the character 殄 tian, ‘annihilate, exterminate’ and means ‘eat greedily’
                                                                                                   or ‘annihilate by eating’.

                                                                                                   Thus, the combined meanings of the two characters tao 饕 and tie 餮
                                                                                                   suggest a violent, fear-inspiring creature with a voracious, self-harming
                                                                                                   appetite! And the taotie 饕餮 motif’s prominence on the sacred ritual
                                                                                                   vessels used to worship the spirits and ancestors served not only to dispel
                                                                                                   bad luck and scare off inauspicious spirits that might interfere with the
                                                                                                   efficacy of the ritual being performed, but also to warn all participants,
                                                                                                   and especially the nobility of the Shang dynasty, of the ill-effects of
                                                                                                   gluttony  and wastefulness  and the  political  consequences  of  such
                                                                                                   behavior, since the Shang’s own claim to heaven-granted legitimacy
                                                                                                   rested on the correctness of its role in overthrowing the previous Xia 夏
                                                                                                   dynasty because of the profligacy and wasteful extravagance of Jie 桀,
                                                                                                   the cruel and despotic final ruler of the ill-fated dynasty.



                                                                                                   Taotie 饕餮, An All-encompassing Term

                                                                                                   From the Song 宋 dynasty (960 – 1279 A.D.) up to recently, the term
                                                                                                   taotie 饕餮 has been used indiscriminately to describe almost all animal



                                                                                                   Jia, Erligang period (circa 17 /16  – circa 14  centuries B.C.)
                                                                                                                        th
                                                                                                                           th
                                                                                                                                   th
                                                                                                   Height: 34 cm – Meiyintang Collection n° 167.
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