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湖南  province, in 1959). At Anyang 安陽 the taotie 饕餮 is cast as a   Godly, Imperial Dragons and Water
 mask with two eyes, two eyebrows, two horns, a nose, and sometimes
 also with two ears and an upper jaw. It is often formed by joining two   A hint of the dragon’s imperial and godly grandeur and the respect it
 confronting kui 夔 dragons shown in profile and, in some rare cases,   inspires in the Chinese people, often being used as the symbol of the
 two animal bodies. Thus the taotie 饕餮 does not necessarily represent   Emperor and imperial power itself, can be gained from a reading of one
 any one particular animal and its form is in a continual state of change,   of the earliest Chinese legends concerning the dragon.
 with only its eyes remaining constant throughout.
           When King Yu 禹 of Xia 夏, so the legend says, was struggling to control

 With the Zhou 周 dynasty, the taotie 饕餮 mask gradually becomes less   the  floods  and  drain  the  arable  land  submerged  by  the  overflowing
 important as a motif on ritual bronzes and gradually disappears as a   rivers, a sacred, god-like dragon, moved by Yu’s virtue and tenacity,
 major decorative motif.  suddenly appeared and fanned the flood waters so forcefully with its
           tail that the waters receded, leaving the land dry enough to cultivate
           once more.

 The Dragon Motif 龍紋
           This and other  such  legends  highlight  the  connection between  the
           dragon and water and reflect the fact that in ancient China, in addition
 The dragon  龍 is, after  the  taotie  饕餮, the  most  common motif
 appearing on Shang dynasty bronze vessels.  to its other roles, the dragon was regarded as the god of water, the
           source of life and the sine qua non of agriculture, the foundation of
           Chinese society.
 The dragon is the subject of many ancient Chinese myths and, according
 to Ma Cheng-Yuan 馬承源, the late curator of the Shanghai Museum,
 and other eminent Chinese scholars, the dragon is, in reality, a deified
 version of the snake whose shape and movements are based on those
 of the snake found in nature.

 A creature that lives on the earth, in the water and even in the heavens,
 the dragon is, for the Chinese, the symbol par excellence of power.




























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