Page 130 - Deydier UNDERSTANDING CHINESE ARCHAIC BRONZES
P. 130

The Snake Motif 蛇紋                                                                      The Elephant Motif 象紋
           The snake is another frequently seen decorative motif on bronze vessels                 Oracle bone  inscriptions,  jiaguwen  甲骨文  excavated  at the  Shang
           from the Shang 商 and later dynasties.                                                   Royal Tombs at Yinxu 殷墟 (Anyang 安陽), tell us that during the Shang
                                                                                                                            th
                                                                                                                                   th
                                                                                                   商  dynasty  (circa 17 /16   –  12 /11   centuries  B.C.)  and especially
                                                                                                                        th
                                                                                                                                       th
           Able to live both in the water and on land, hibernating in winter in                    during the  Yinxu  殷墟  period, wild  elephants  were  not only  hunted
           colder climates and changing its skin in spring, the snake was for the                  and captured by kings and nobles, but  were  also domesticated  and
           ancient Chinese a symbol of transformation and re-birth and was linked                  bred for various uses. This is not surprising since other information
           to the world of spirits and the deceased, as well as to that of the living.             gathered  from oracle bone  inscriptions,  jiaguwen  甲骨文, indicates
                                                                                                   that  temperatures  in northern China were  much milder  during the
           In oracle  bone  inscriptions,  jiaguwen  甲骨文, the  snake appears                       Shang 商 dynasty, and thus much more suitable for elephants than in
           among the group of pictograms relating either to illness or to death                    the present age.
           by sacrifice.  Even in modern Chinese fortune-telling, the snake enjoys
                                                                                                                                                       rd
           a mixed reputation, sometimes regarded as auspicious and, at other                      The Lushi Chunqiu Annals 呂氏春秋 written in the 3  century B.C. by
           times,  as  quite  inauspicious. Whereas  seeing  a  snake  in a dream  is              Lu Buwei 呂不偉, the Counsellor-in-Chief of the Kingdom of Qin 秦
           usually  considered  a bad omen foretelling  imminent disaster, for a                   and his myriad retainers, also record that the Shang 商, during their
           merchant, the same dream is considered a good omen foretelling the                      many and frequent battles with the ‘Eastern Barbarians’ 東夷,  put into
           dreamer’s imminent accumulation of great wealth!                                        service a cavalry of elephants, which struck terror into the hearts of the
                                                                                                   Shang’s enemies.

                                                                                                   More  recently, in the  1930s and 40s, while  carrying  out  excavation
                                                                                                   work at the Shang Royal Tombs in Yinxu 殷墟 (Anyang 安陽) in Henan
                                                                                                   河南 province, archaeologists found the remains of elephants in the
                                                                                                   sacrificial pits, while in the burial chambers of members of the royal
                                                                                                   family,  they found items of ivory  jewellery  and elephant tusks. In
                                                                                                   1978 still other archaeologists working at another sacrificial pit in the
                                                                                                   same  area unearthed  the  remains of  a small  domesticated  elephant
                                                                                                   with a bronze bell tied round its neck, adding credibility to the claims
                                                                                                   of ancient records such as the Lushi Chunqiu Annals 呂氏春秋  that
                                                                                                   elephants were common in northern areas of China during the Xia 夏,
                                                                                                   Shang 商 and Zhou 周 periods.

                                                                                                   In 1959 a late Shang 商代後期 nao 鐃 bell with its upper band cast with
                                                                                                   standing elephant motifs was discovered farther south at Ningxiang 寧
                                                                                                   鄉 in Hunan 湖南 province (See photo on page 94). Then again in 1983
                                                                                                   in a nearby area of Ningxiang 寧鄉, another large late Shang dynasty 商
                                                                                                   代後期 nao 鐃 bell was discovered. Interestingly, this one is decorated
                                                                                                   at the centre of its top band on each of its two sides with a magnificent
                                                                                                   pair of confronting elephants touching their raised trunks together as
                                                                                                   if in salutation, seeming to suggest that the animals had been trained
                                                                                                   in captivity.





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