Page 170 - Deydier UNDERSTANDING CHINESE ARCHAIC BRONZES
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A.D.) who collected and studied a great number of ancient bronze                        expanded  between  the  years 1107 and 1123  or 1125  A.D.  by the
               vessels near the site of Gao 鎬, the ancient capital of the Western                      Northern Song Prime Minister Wang Fu 王黼 (1079 – 1126 A.D.)
               Zhou  西周,  southwest  of  present-day  Xian  西安  in Shaanxi  陝西                         and a group of scholars working under him, on the instructions
               province, together with Ouyang Xiu 歐陽修  (1007 – 1072 A.D.) one                          of  Emperor  Huizong  徽宗  (1101  – 1125 A.D.).  In this  extremely
               of the greatest writers, poets, statesmen and historians of the Song                    important 30-volume work, Wang Fu 王黼  and his assistants not
               dynasty.                                                                                only recorded and arranged according to their shapes, all of the eight
                                                                                                       hundred and thirty-nine bronze ritual vessels then held in the Song
               ■  The  Jigulu  Bawei  集古錄跋尾, edited  and published  by  Ouyang                         宋 Imperial Collections, but also described and included drawings
               Xiu 歐陽修 (1007 – 1072 A.D.), is regarded by scholars as the first                        of each piece as well as drawings or rubbings of the inscriptions
               specialized study of the inscriptions cast on nineteen inscribed ritual                 on all the inscribed pieces. Perhaps even more importantly, after
               bronze vessels known at that time. The book contains information                        making a thorough search for the names of ancient ritual vessels in
               about the place of discovery of each bronze, its shape and size and                     all the classical and historical texts then known, as well as in earlier
               a transcription and translation of its inscription, if there was one.                   works on bronzes, Wang  Fu  王黼  standardized the  terminology
               Ouyang Xiu’s book was greatly influenced by the work of Liu Chang                       used to describe ancient bronze vessel shapes and their decorative
               劉敞.                                                                                     motifs.
               ■  The Kaogu Tu 考古圖, written by the Northern Song scholar Lü                            Unfortunately some of the ritual bronzes published in the Xuan
               Dalin 呂大臨 (1040 – 1092 A.D.) and published in 1092, is probably                         He Bogu Tu 宣和博古圖 are now considered to be later copies of
               the oldest and most important compilation produced during the                           ancient ritual bronzes.
               Song  宋  period. It includes  a description  and a drawing  of  two
               hundred  and ten  bronze vessels  and objects,  as well  as thirteen                 It is generally  agreed  that  the  work carried out  by the  Song  宋
               jade objects, dating from the Shang 商 dynasty up to the Han 漢                        antiquarians, all without exception men of great erudition, was very
               dynasty, all of which were held in either the Imperial Collections or                meticulous  and well-researched  and thus the  books they  produced
               in ten private famous collections of the period.                                     were well-written, factual studies. Apart from a few errors, sometimes
                                                                                                    extremely  slight, the Song  宋 antiquarians’  method of classifying
               Of  the  two  hundred  and ten  bronzes  treated  in the  book, one                  bronzes and the  terminology  which they  either  established  or
               hundred and forty-eight were considered to date from the Shang 商                     standardized,  constitute  the  basis  of  our  modern  classifications  and
               and Zhou 周 dynasties. Lü arranged these according to their shape,                    terminology. Thus, the Song antiquarians found in the ancient texts
               then meticulously recorded their sizes, weights, inscriptions, etc.                  and then standardized names for ritual vessels like ding 鼎, li  鬲, jue
               and  indicated, wherever  possible,  the  area where  they  had  been                爵, jia 斝, pan 盤, etc., and terms like leiwen 雷紋 and taotie 饕餮 mask
               discovered  as well  as  other  details  of  their  provenance. He  also             to refer respectively to a motif composed of finger-print-like spirals,
               searched through ancient classics such as the Lushi Chunqiu Annals                   and the animal mask motif, all of which names and terms are still used
               呂氏春秋, the Zhouli 周禮, the Erya 爾雅, etc., etc. to determine                            by scholars today.
               the correct names by which such vessels and their motifs should be
               called, as well as their use in antiquity.  Lü’s extremely important
               work was the pioneer in its field and is the book upon which all                     3.  Ming 明 studies
               further works and studies of ancient Chinese bronze vessels, their
               morphology, etc. are based.                                                          During the Ming 明 dynasty (1368 – 1644 A.D.), on the other hand,
                                                                                                    antiquarians and scholars seem to have been less attracted by the study
               ■  The Xuan He Bogu Tu 宣和博古圖 was compiled, revised and then                          of ancient bronze vessels, and when they did set their hand to the study







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