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of this subject, their work was much less rigorous and accurate than                        and described in detail, and its measurements, weight, etc. as well
           that of the Song 宋 dynasty antiquarians.  Some scholars think that one                      as, in the case of inscribed vessels, a sketch of its inscription and a
           reason for this lack of interest and attention to details was the paucity                   translation were provided.
           of suitable bronze vessels to study firsthand, since during the Southern
           Song  南宋 dynasty (960 – 1127  A.D.)  as well  as during the Ming                            The complete 96-volume Xiqing Sijian 西清四鑒 is composed of
           明 dynasty (1368 – 1644 A.D.) itself, the government carried out, at                         the following books:
           various intervals, the melting down of ancient bronze vessels, Buddhist
           statues,  etc.  in order to  obtain raw material for the  manufacture  of                   ■  The Xiqing Gujian 西清古鑒, which consists of 40 volumes in which
           weapons and coins, especially at times when the survival of the central                     were listed among other antiquities, 1,529 bronze vessels from the
           government of the  empire was under serious  threat  from invading                          Shang 商 to Tang 唐 dynasties conserved in the Imperial Collections
           nomadic groups from the north.                                                              in the Beijing Imperial Palace 北京皇宮. The book was compiled
                                                                                                       between  1749 and 1755  A.D.  by the  scholar, calligrapher  and
                                                                                                       member of the Hanlin  翰林 or Imperial Academy,  Liang Shizheng
           4.  Qing 清 studies and the first collectors                                                 梁詩正 (1697 – 1763) and other scholars on Emperor Qianlong’s
                                                                                                       乾隆 instructions. Unfortunately, half or more of these pieces are
           During the Qing 清 dynasty (1644 – 1911 A.D.) and especially during                          today considered to be later reproductions, many of them produced
           the  reign of the  great antiquarian,  Emperor Qianlong  乾隆 (1736 –                         in the Song 宋 dynasty.
           1796) the interest in ancient ritual bronzes was rekindled, creating a
           new impetus for the study of them and their inscriptions. It was also                       ■  Almost 38 years later, in 1793, the first sequels to the Xiqing Gujian
           a time when  many important private collections  were  formed and                           西清古鑒,  two 20-volume  works entitled  respectively  the  Xiqing
           numerous specialised books and catalogues were published, including                         Xujian Jiabian 西清續鑒甲篇 and the Xiqing Xujian Yibian 西清
           the following:                                                                              續鑒乙篇 or ‘Sequels A & B to the Xiqing Gujian’ were completed
                                                                                                       by the scholar and high government official Wang Jie王杰 (1725 –
               ■  The Xiqing Sijian 西清四鑒, or the “Four Books of Appreciation                           1805 A.D.)  and others on the command of the Emperor Qianlong
               and Appraisal of the Xiqing Study” were compiled on the command                         乾隆. In the  20-volume Sequel  A, 944 additional  unrecorded
               of  the  great  antiquarian, connoisseur  and collector, Emperor                        bronzes purported to be from the Shang 商 and Zhou 周 to Tang
               Qianlong 乾隆 (1736 – 1796), between the years 1749 and 1779 in                           唐 periods and kept in the Beijing Imperial Palace 北京皇宮 were
               an attempt to emulate the Northern Song 北宋 Emperor Huizong’s                            recorded, sketched, described, etc. as had been done in the original
               徽宗 renowned classic, the  Xuan He Bogu Tu 宣和博古圖.                                        Xiqing Gujian 西清古鑒 compiled by Liang Shizheng 梁詩正 some
                                                                                                       38 years  earlier. In Sequel  B, Wang Jie  王杰  and his assistants
               The term xiqing or ‘Western Purity’ in the title of this set of books                   recorded, sketched, described, etc. yet another 900 bronzes from
               was derived from the name of the Study/Private Library located in                       the Imperial Collections, but which were housed in the Mukden
               the southern part of the Qing Imperial Palace 清宮南書房 where                               Imperial Palace 盛京(奉天)皇宮/盛京行宮  in present-day Shenyang
               the books were compiled.  The final word in the Chinese title, i.e.                     瀋陽 in Liaoning 遼寧 province, north-eastern China.
               jian 鑒 literally means an ‘appreciation’ 鑒賞 or an ‘appraisal’ 鑒定,
               or both together.                                                                       ■  The  final  16-volume  book  of  the  series,  which  was  called  the
                                                                                                       Ningshou Gujian 寧壽古鑒 and which was compiled at about the
               In the 4 multi-volumed books that make up the Xiqing Sijian 西清                          same  time  as Sequels  A and B ,recorded, sketched, described,
               四鑒, each of the 4074 Shang 商, Zhou 周, etc. up to Tang 唐 period                          etc. a total of 701 purportedly Shang 商, Zhou 周, etc. up to Tang
               bronzes in the Qing Imperial Collection was numbered, sketched                          唐  previously unrecorded  bronzes from the  Imperial Collections







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