Page 184 - Deydier UNDERSTANDING CHINESE ARCHAIC BRONZES
P. 184

As always in the world of art, as soon as a category of objects becomes
                                                                                                    popular and monetarily valuable, fakes, some often very well-made,
                                                                                                    appear on the market.



                                                                                                    The earliest fakes

                                                                                                    In  the  world of Chinese  bronze ritual vessels, the history of fake-
                                                                                                    making and fakes starts at least as far back as the Spring and Autumn
                                                                                                    春秋 period (circa 770 – 476 B.C.). In Volume II of the Shuo Lin 說林
                                                                                                    下 section of his famous work Han Fei Zi 韓非子, the anti-Confucian
                                                                                                    legalist philosopher Han Fei 韓非 (circa 280 – 233 B.C.) recounts the
                                                                                                    story of the Duke of Lu 魯君 who unsuccessfully attempted to safeguard
                                                                                                    his famous chan ding 讒鼎 from the invading army of the neighbouring
                                                                                                    kingdom of Qi 齊 by trying to pass off a reproduction in its stead. The
                                                                                                    ruse was discovered, however, when the Qi State 齊國  envoy began
                                                                                                    having doubts while inspecting the proffered ding and demanded, in
                                                                                                    spite of the Duke of Lu’s 魯君 protestations, that Yue Zheng Zi Chun 樂
                                                                                                    正子春, a Confucianist and a minister of the State of Lu 魯國 renowned
                                                                                                    for his honesty, be called in to appraise the ding. Unable to lie, Yue
                                                                                                    Zheng Zi Chun  樂正子春 declared  the  proffered  ding  to  be  a copy,
                                                                                                    whereupon the Duke of Lu 魯君 was forced to part with his beloved
                                                                                                    genuine chan ding 讒鼎.

                                                                                                    In the case of the Duke of Lu 魯君 of the Spring and Autumn 春秋 period,
                                                                                                    the fake bronze in question was not made in the hope of financial gain,
                                                                                                    but rather because the owner of a cherished genuine bronze wished to
                                                                                                    protect it from confiscation by a more powerful, marauding neighbour.

                                                                                                    In another famous  case  from antiquity involving  the  production  of
                                                                                                    a fake bronze vessel, the perpetrator Xin Yuanping 新垣平  hoped to
                                                                                                    gain the favour of the Western Han 西漢 Emperor Wendi 文帝 (reigned
                                                                                                    179  – 156 B.C.). Xin 新 almost succeeded, or, at least, partly succeeded
                                                                                                    in his ruse. One reason for this was, as mentioned at the beginning of
                                                                                                    the chapter on ‘Studies of archaic Chinese bronze ritual vessels’ (See
                                                                                                    page 165), the Confucian rulers and literati of the Han 漢 and later
                                                                                                    dynasties had a great reverence for ancient ritual vessels and especially
                                                                                                    for bronze ritual vessels dating from the revered Zhou 周 dynasty and
                                                                                                    the sudden reappearance of such vessels was regarded as an especially
                                                                                                    auspicious sign of Heaven’s favour towards the current ruler and his
                                                                                                    dynasty.


                               th
           Fake Ding, made in early 20  century
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