Page 122 - Fine Chinese, Japanese and Buddhist Art September 28, 2018 Galerie Zacke
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                                                                       A CAST AND REPOUSSÉ GILT-BRONZE FIGURE OF                     A SMALL GILT-COPPER ALLOY FIGURE OF
                                                                       SYAMATARA, DOLLONOR, QING DYNASTY, 18                         SYAMATARA, TIBET, 15TH/16TH CENTURY
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                                                                       CENTURY                                                       Cast and chased copper alloy with massive fire gilding
                                                                       Cast bronze statue with massive fire-gilding and neatly        and remainders of old pigments. The base originally
                                                                       incised detail work. Several parts such as the bands,         sealed
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                                                                       earrings, lotus flower holders executed in copper repoussé.    Tibet, 15 -16  century
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                                                                       Remainder of old pigments. Inlaid turquoise and coral
                                                                       pearls. The base with old, most likely original sealing       Elegantly seated in lalitasana on a double-lotus pedestal,
                                                                       Dollonor, Qing Dynasty, 18  century                           the hands in varada mudra and vitarka mudra, flanked
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                                                                                                                                     by two lotuses rising to the shoulders, the serene face
                                                                       This beautiful sculpture depicts the young goddess            framed by an elaborate tiara and earrings, wearing a
                                                                       Syamatara, who is venerated as a liberator, able to free      dhoti delicately adorned with beaded necklaces, armlets
                                                                       devotees from the chain of birth and rebirth and all the      and bracelets.
                                                                       suffering that ensues. In myth, she emerged from the
                                                                       tears of Avalokiteshvara as he wept for the suffering         The present lot demonstrates an excellent craftsmanship
                                                                       of all sentient beings. It is a testament to her supreme      of the 15th century by showing a well-proportioned
                                                                       compassion and agency. As such, she is depicted with          body with an elegantly-curved torso and a delicate
                                                                       her right leg outstretched, ready to respond to one’s         execution on the jewel adornments. Tara is represented
                                                                       suffering, and her right hand in the gesture of charity.      here as an elegant and slender goddess, superbly cast
                                                                       The figure sits in dhyanasana on a double-lotus base           with long graceful fingers, finely chased details and inset
                                                                       with both hands held in vitarkamudra. Clad in a flowing        turquoise and coral jewelry. Her crown supports a single
                                                                       dhoti with hems neatly incised with a foliate pattern and     strand of pearls that loops across her forehead.
                                                                       adorned with various jewelry. The face shows a serene
                                                                       expression and the hair is pulled into a tall chignon.        The spiritual and compassionate Tara is highly
                                                                       The exquisitely worked, separate lotus stems, bands and       revered in Tibet as a female Bodhisattva, considered
                                                                       earrings are hallmarks of the finest work from Dolonnor        as the Goddess of Universal Compassion and the
                                                                       in Inner Mongolia, which catered to the rapid expansion       manifestation of the actions of all Buddhas. There are
                                                                       of Tibetan Buddhist temples along the border regions of       twenty-one forms of Tara and the two most popular
                                                                       the Qing empire, particularly under the Qianlong emperor      ones are the Green Tara, or Syamatara, and the
                                                                       (1735-1795). However, there is flair and creativity about      White Tara. Green Tara has the special power to help
                                                                       the present sculpture that may indicate it even slightly      overcome dangers, fears and anxieties as well as grant
                                                                       predates his reign.                                           wishes. It is venerated as a liberator from samsara,
                                                                                                                                     the chain of birth and rebirth in the illusory material
                                                                       Shape: Statue                                                 realm. According to myth, she emerged from the
                                                                       Weight: 302 grams                                             tears of Avalokiteshvara as he wept for the suffering
                                                                       Dimensions: Height 20,5 cm                                    of all sentient beings. It is a testament to the supreme
                                                                       Condition: Good original condition. Some inlaid coral and     compassion and agency she embodies. As such she
                                                                       turquoise pearls as well as parts of the left band and the    is depicted with her right leg outstretched, ready to
                                                                       lotus flowers missing                                          respond to one’s suffering, and her right hand in the
                                                                       Provenance: Hungarian private collection. Old collector       gesture of charity.
                                                                       label with description on the bottom
                                                                                                                                     Shape: Statue                         15/16ᶾ䲨挷慹戭⎰慹䵈⹎㭵⁷
                                                                       Literature comparison: The treatment of common stylistic      Weight: 214 grams                     戭⎰慹炻挷慹梥㺧炻⸽⹏⍇⮩
                                                                       features, such as the large pendant earrings, long chain      Dimensions: Height 11,2 cm            大啷炻15-16ᶾ䲨
                                                                       necklace, and the broad, smooth lotus petals around the       Condition: Outstanding condition with some wear and   ⃒晭⛘⛸⛐暁咖剙⣑䌳⹏ᶲ炻ㇳ⏰咖剙㊯冯ⶫ㕥⌘炻ℑ㜇咖剙攟军偑㕩炻厗渿䘬柕梦⍲
                                                                       base, compare favorably with a Manjushri in the Rietberg      traces of age as expected on a piece from this period,   俛⡄ᶳ㚱叿⬱娛䘬朊⭡炻㏕惵⾝䎈枭拲ˣ兪䪈⍲ㇳ䑘ˤ
                                                                       Museum, and figures of Ushnishavijaya and Maitreya             some of the inlaid corals and turquoises missing.   忁⮲⹎㭵⁷䨈举⎰⹎䘬幓幨冯⃒晭⟹✳䘬⦧ン炻㏕惵䳘兑晽⇣䘬䎈⮞惵ẞ炻⬴伶䘬⯽䎦
                                                                       in the Jacques Marchais Museum of Tibetan Art, New            Remainders of old pigments            䘬15ᶾ䲨䘬晽⇣ⶍ喅ˤ⹎㭵䁢ᶨ檀屜⮲䇝䘬䤆䣯炻㚱叿ᾖ攟䘬ㇳ㊯炻䱦䶣晽⇣⍲搚⳴䘬
                                                                       York (see Uhlig On the Path to Enlightenment, Zurich,         Provenance: Hungarian private collection  䎈⮞惵ẞˤ⤡䘬柕ⅈᶲ㚱ᶨᷚ䑘⼊䘬䍵䎈ˤ
                                                                       1990, p.114, no.65; and Lipton & Ragnubs, Treasures of                                              ⛐大啷炻℟㚱ヰず⣏ッ䘬㜄㭵ḇ塓⮲䧙䁢⤛厑啑ˤ⹎㭵ℙ㚱21䧖㱽䚠炻℞ᷕ㚨䞍⎵䘬䁢
                                                                       Tibetan Art, New York, 1996, pp.116 & 140, nos.51 & 68,       Literature comparison: Casey Singer & Denwood,   䵈⹎㭵ẍ⍲䘥⹎㭵ˤ䵈⹎㭵傥妋㓹ℓ⣏劎暋炻㴰昌䛦䓇䄑゙炻㺧嵛栀㯪ˤ
                                                                       respectively). Further examples in the Kandell Collection     Toward a Definition of Style, p. 74, no. 52. (for a   ⼊䉨烉⹎㭵⁷
                                                                       are published in Rhie & Thurman, A Shrine for Tibet, New      Dakini held in The Los Angeles County Museum of Art   慵慷烉214⃳
                                                                       York, 2010, pp.76-9, nos. I-14a, b & I-15a, b.                (M85.221), showing a comparable treatment of the   ⯢⮠烉檀11.2⍀䰛
                                                                                                                                     base’s lotus petals) Uhlig, On the Path to Enlightenment,   ⑩䚠⬴⤥炻冯⸜ẋ䚠䫎炻ᶨṃ搚⳴䘬䍲䐂⍲䵈⮞䞛仢⣙炻冲⍇㕁ˤ
                                                                       Auction result comparison: Fine Chinese Ceramics and          p. 153, p. 98. (for a comparable base of a 14th century   ⊰䈁⇑䥩Ṣ㓞啷
                                                                       Works of Art. Christies, New York, 16 September 2016, lot     figure of Ushnishavijaya in the Museum Rietberg)   㔯䌣⍫侫烉ᶨẞ⎗⍫侫䘬匤⎱⯤⁷夳Casey Singer & Denwood叿˪Toward a Definition
                                                                       1231. (for another Qianlong cast and repoussé Syamatara)                                            of Style˫炻䫔74枩炻䶐嘇52ˤ⎎ᶨẞ14ᶾ䲨䘬⮲⊅ἃ㭵⁷⍫夳Uhlig 叿˪On the Path to
                                                                       IMAGES OF DEVOTION. Bonham’s, 3 October 2017,                 Auction result comparison: ARTS D’ASIE. Sotheby’s, 23   Enlightenment˫炻䫔153枩炻䶐嘇98ˤ
                                                                       HONG KONG, lot 36. (for another Dollonor Syamatara)           JUNE 2016, PARIS, lot 132. (for a comparable copper
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                                                                                                                                                         th
                                                                                                                                     alloy statue dated to the 14 /15  century, with the   EstimateġEUR 1.500,-
                                                                       18ᶾ䲨㶭ẋ曺戭挷慹䵈⹎㭵                                                 same size and motif)                  Starting price EUR 750,-
                                                                       曺戭炻挷慹⍂⮎炻拦剙晽⇣炻䍲䐂⍲䵈㜦䞛䎈搚⳴炻⸽悐ㅱ
                                                                       䁢⍇⮩
                                                                       Dollonor㔯⊾炻㶭㛅炻18ᶾ䲨
                                                                       ⑩䚠列⤥炻悐↮㛸㕁仢⣙
                                                                       ⊰䈁⇑䥩Ṣ㓞啷
                                                                       EstimateġEUR 1.000,-
                                                                       Starting price EUR 500,-



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