Page 170 - Fine Chinese, Japanese and Buddhist Art September 28, 2018 Galerie Zacke
P. 170

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                                                                             A FINE AND ELABORATELY INLAID AND                                                                                                     A FINE AND RARE
                                                                             LACQUERED JAPANESE PANEL DEPICTING                                                                                                    LACQUERED THIRTEEN
                                                                             FROLICKING FROGS BY RYOSAI                                                                                                            STRING KOTO, EDO
                                                                             Japan, Edo period (1603 - 1868) – 19  century                                                                                         PERIOD
                                                                                                    th
                                                                             Wood, lacquer, mother of pearl, ivory, silver,                                                                                        Japan, Edo period (1603
                                                                             gold, copper and soapstone                                                                                                            – 1868), around 1800 or
                                                                                                                                                                                                                   earlier
                                                                             All set on a wood panel in the form of a slightly                                                                                     Wood, lacquer and bone
                                                                             crumpled lotus leaf with a beautiful grain, is a
                                                                             depiction reminiscent of the Choju-jinbutsu-                                                                                          A traditional Japanese
                                                                                              th
                                                                                            th
                                                                             giga scrolls from the 12 -13  century. Three                                                                                          musical instrument
                                                                             frolicking anthropomorphic frogs wearing lotus                                                                                        (Koto). The wood with
                                                                             leaf skirts are inlaid in copper, silver and gold.                                                                                    a beautiful, unusually
                                                                             Many bull rushes surrounded by leafy stalks and                                                                                       swirling grain. Thirteen
                                                                             lilies are lacquered and inlaid in ivory or mother                                                                                    strings screwed up across
                                                                             of pearl. Two natural holes in the corner cleverly                                                                                    five small, movable
                                                                             used to imitate the partially rotting lotus leaf.                                                                                     bridges. The sides and
                                                                                                                                                                                                                   margins decorated in gold
                                                                             Signed in a square soapstone reserve with seal                                                                                        hiramaki-e with scrolling
                                                                             signature RYOSAI 列㔶ĭ who must have been                                                                                               vines and flowers. The
                                                                             an artist with a multitude of skills as the panel                                                                                     ends inlaid, the lower with
                                                                             would have required a high level of skill in                                                                                          geometrical designs in
                                                                             metalwork, lacquer, inlays and carving.                                                                                               bone and precious stones,
                                                                                                                                                                                                                   the upper with inlays and
                                                                             Shape: Lobed panel in the form of a lotus leaf                                                                                        a golden hiramaki-e bird.
                                                                             Dimensions: 63 x 43.5 cm
                                                                             Condition: Good condition with only very minor                                                                                        The ancestor of the koto
                                                                             wear to lacquer                                                                                                                       was the Chinese guzheng,
                                                                             Provenance: Austrian private collection                                                                                               the parent instrument of
                                                                                                                                                                                                                   the Asian zither family,
                                                                             EstimateġEUR 1.000,-                                                                                                                  which spread from China
                                                                             Starting price EUR 500,-                                                                                                              to a number of adjacent
                                                                                                                                                                                                                   countries, also giving birth
                                                                                                                                                                                                                   to the Japanese Koto, first
                                                                                                                                                                                                                   introduced to Japan in the
                                                                                                                                                                                                                   7th and 8th century. The
                                                                             169                                                                                                                                   original known version of
                                                                             A RARE GOLD AND BLACK LAQUER JIKIRO                                                                                                   the Koto had five strings,
                                                                             (CEREMONIAL FOOD CONTAINER)                                                                                                           eventually increasing to
                                                                             Japan, Edo period (1603 - 1868)                                                                                                       seven and even more
                                                                             Lacquered wood                                                                                                                        strings. The present
                                                                                                                                     170                                                                           instrument is therefore
                                                                             The exterior lacquered in matt black and                A RARE LACQUERED TSUBA WITH FULL MOON AND                                     one of the later improved
                                                                             elegantly decorated in gold hiramaki-e with             GEESE BY YAMADA TSUNEYOSHI                                                    versions, with thirteen
                                                                             scrolling vines and flowers. The interior                Japan, Edo period (1603 - 1868)                                               instead of five strings.
                                                                             lacquered in red. Large food containers like this       Lacquered wood
                                                                             were presented at important ceremonies or                                                                                             Shape: Thirteen-chord
                                                                             weddings and would have contained sweets or             The edge of this tsuba in mokkogata (lobed form) is slightly                  instrument
                                                                             other delicacies                                        raised. The images in takamaki-e with sublime relief on both                  Dimensions: 48 cm
                                                                                                                                     sides are set against a black-brown seido-nuri background                     (length)
                                                                             Shape: Large ovoid container with lid and               and show a body of water with reeds, low-hanging clouds,                      Condition: Signs of age
                                                                             raised on a high pedestal foot                          the dark, silver full moon and birds in flight. One the side                   with minor chips and
                                                                             Dimensions: 26 cm (height with lid), 36.5 cm            featuring the artist’s signature are two geese on the shore as                losses, the base with
                                                                             (diameter)                                              well as two flying upwards. Even the smallest details are very                 wear, scratches and a
                                                                             Condition: Small chips along the borders and            finely worked; impressive accents in golden kinzogan; the                      small break – overall
                                                                             surface, one chip in the interior, subtle scratches     idyllic nature of the scene is expressively poetic. The signature             still very good condition
                                                                             and a crack on the interior red lacquer                 reads YAMA-DA Ⱉ 䓘 TSUNE-YOSHI ⷗ ▱ with a kao. This                            Provenance: Austrian
                                                                             Provenance: From an old Austrian private                19th-century lacquer artist is also known by the name SHO-                    private collection
                                                                             collection acquired before 1930 - with old              KOSAI.
                                                                             collection numbers at the base                                                                                                        Literature: Hugo’s window
                                                                                                                                     Shape: Lacquered mokkogata tsuba                                              on the world of Chinese
                                                                             Auction result comparison: For a similar jikiro         Dimensions: 8.2 cm (height)                                                   zheng. Chime. Leiden:
                                                                             with a different design see Bonhams, Fine               Condition: Good condition with very minor nicks to the ed-                    European Foundation for
                                                                             Japanese and Korean Art, 12 September 2012,             ges, restored to invisibility                                                 Chinese Music Research.
                                                                             lot 3323.                                               Provenance: German private collection                                         16–17: 242. 2005.
                                                                             EstimateġEUR 400,-                                      EstimateġEUR 400,-                                                            EstimateġEUR 600,-
                                                                             Starting price EUR 200,-                                Starting price EUR 200,-                                                      Starting price EUR 400,-






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