Page 171 - Fine Chinese, Japanese and Buddhist Art September 28, 2018 Galerie Zacke
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 A FINE AND ELABORATELY INLAID AND                                                          A FINE AND RARE
 LACQUERED JAPANESE PANEL DEPICTING                                                         LACQUERED THIRTEEN
 FROLICKING FROGS BY RYOSAI                                                                 STRING KOTO, EDO
 Japan, Edo period (1603 - 1868) – 19  century                                              PERIOD
 th
 Wood, lacquer, mother of pearl, ivory, silver,                                             Japan, Edo period (1603
 gold, copper and soapstone                                                                 – 1868), around 1800 or
                                                                                            earlier
 All set on a wood panel in the form of a slightly                                          Wood, lacquer and bone
 crumpled lotus leaf with a beautiful grain, is a
 depiction reminiscent of the Choju-jinbutsu-                                               A traditional Japanese
 th
 th
 giga scrolls from the 12 -13  century. Three                                               musical instrument
 frolicking anthropomorphic frogs wearing lotus                                             (Koto). The wood with
 leaf skirts are inlaid in copper, silver and gold.                                         a beautiful, unusually
 Many bull rushes surrounded by leafy stalks and                                            swirling grain. Thirteen
 lilies are lacquered and inlaid in ivory or mother                                         strings screwed up across
 of pearl. Two natural holes in the corner cleverly                                         five small, movable
 used to imitate the partially rotting lotus leaf.                                          bridges. The sides and
                                                                                            margins decorated in gold
 Signed in a square soapstone reserve with seal                                             hiramaki-e with scrolling
 signature RYOSAI 列㔶ĭ who must have been                                                    vines and flowers. The
 an artist with a multitude of skills as the panel                                          ends inlaid, the lower with
 would have required a high level of skill in                                               geometrical designs in
 metalwork, lacquer, inlays and carving.                                                    bone and precious stones,
                                                                                            the upper with inlays and
 Shape: Lobed panel in the form of a lotus leaf                                             a golden hiramaki-e bird.
 Dimensions: 63 x 43.5 cm
 Condition: Good condition with only very minor                                             The ancestor of the koto
 wear to lacquer                                                                            was the Chinese guzheng,
 Provenance: Austrian private collection                                                    the parent instrument of
                                                                                            the Asian zither family,
 EstimateġEUR 1.000,-                                                                       which spread from China
 Starting price EUR 500,-                                                                   to a number of adjacent
                                                                                            countries, also giving birth
                                                                                            to the Japanese Koto, first
                                                                                            introduced to Japan in the
                                                                                            7th and 8th century. The
 169                                                                                        original known version of
 A RARE GOLD AND BLACK LAQUER JIKIRO                                                        the Koto had five strings,
 (CEREMONIAL FOOD CONTAINER)                                                                eventually increasing to
 Japan, Edo period (1603 - 1868)                                                            seven and even more
 Lacquered wood                                                                             strings. The present
              170                                                                           instrument is therefore
 The exterior lacquered in matt black and   A RARE LACQUERED TSUBA WITH FULL MOON AND       one of the later improved
 elegantly decorated in gold hiramaki-e with   GEESE BY YAMADA TSUNEYOSHI                   versions, with thirteen
 scrolling vines and flowers. The interior   Japan, Edo period (1603 - 1868)                 instead of five strings.
 lacquered in red. Large food containers like this   Lacquered wood
 were presented at important ceremonies or                                                  Shape: Thirteen-chord
 weddings and would have contained sweets or   The edge of this tsuba in mokkogata (lobed form) is slightly   instrument
 other delicacies  raised. The images in takamaki-e with sublime relief on both             Dimensions: 48 cm
              sides are set against a black-brown seido-nuri background                     (length)
 Shape: Large ovoid container with lid and   and show a body of water with reeds, low-hanging clouds,   Condition: Signs of age
 raised on a high pedestal foot  the dark, silver full moon and birds in flight. One the side   with minor chips and
 Dimensions: 26 cm (height with lid), 36.5 cm   featuring the artist’s signature are two geese on the shore as   losses, the base with
 (diameter)   well as two flying upwards. Even the smallest details are very                 wear, scratches and a
 Condition: Small chips along the borders and   finely worked; impressive accents in golden kinzogan; the   small break – overall
 surface, one chip in the interior, subtle scratches   idyllic nature of the scene is expressively poetic. The signature   still very good condition
 and a crack on the interior red lacquer   reads YAMA-DA Ⱉ 䓘 TSUNE-YOSHI ⷗ ▱ with a kao. This   Provenance: Austrian
 Provenance: From an old Austrian private   19th-century lacquer artist is also known by the name SHO-  private collection
 collection acquired before 1930 - with old   KOSAI.
 collection numbers at the base                                                             Literature: Hugo’s window
              Shape: Lacquered mokkogata tsuba                                              on the world of Chinese
 Auction result comparison: For a similar jikiro   Dimensions: 8.2 cm (height)              zheng. Chime. Leiden:
 with a different design see Bonhams, Fine   Condition: Good condition with very minor nicks to the ed-  European Foundation for
 Japanese and Korean Art, 12 September 2012,   ges, restored to invisibility                Chinese Music Research.
 lot 3323.    Provenance: German private collection                                         16–17: 242. 2005.
 EstimateġEUR 400,-  EstimateġEUR 400,-                                                     EstimateġEUR 600,-
 Starting price EUR 200,-  Starting price EUR 200,-                                         Starting price EUR 400,-






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