Page 16 - September 20 2021 Chinese Works of Art Bonhams NYC
P. 16

PROPERTY FROM THE COLLECTION OF MARK S PRATT,
           WASHINGTON, D.C.
           106
           ATTRIBUTED TO QIAN GU (1508-1578/87)              The heritage of the famed Red Cliff in Chinese culture is two-fold.
           Ode to the Red Cliff                              In addition to being the site of a crucial battle during the reign of
           Horizontal handscroll, ink and color on paper, bearing a signature   the Han Emperor Xiandi (208CE), the Red Cliff was the name of a
           reading Qian Gu with one seal reading Qian shi, with three collectors’   destination for two journeys made by the great Song dynasty poet
           seals on the painting, including one of Wang Zhen (1867-1938)   and calligrapher Su Dongpo (1037-1101), who wrote two famed odes
           reading Yiting dali and one reading Zeng zai fang zengyuan jia; with   reflecting on the heroes of the battle and his own personal struggles.
           a frontispiece and colophon by Wu Changshuo (1844-1927) ink on   Setting aside the fact that the two Red Cliffs share only a name and
           paper, titled in seal script followed by the colophon in running script,   are geographically distinct, the Red Cliff became a source of inspiration
           dated guichou xia qi yue (1913, summer, seventh month) signed Wu   for painters and calligraphers for centuries to follow.
           Changshuo Laofou with one calligrapher’s seal; mounted together
           with calligraphy in running script signed Wen Peng (1498-1573),   The present scroll features a depiction of the Su Dongpo’s journey in
           the text comprising the Qianchibi fu (Former Ode to the Red Cliff)   the style of the Ming artist Qian Gu, along with a transcription of the
           signed Sanqiao Wen Peng with two calligrapher’s seals reading   “Ode to the Red Cliff” in the style of the Ming dynasty calligrapher Wen
           Wen Shoucheng yin and Wen Peng zhiyin, with two collector’s seals   Peng. In the twentieth century, the painting was viewed by the two
           on the calligraphy; with an outer title slip by Wang Zhen signed   Shanghai school masters Wu Changshuo and Wang Zhen, who both
           Bailongshanren with a calligrapher’s seal Yiting.    added their own calligraphy to the scroll.
           11 1/8 x 69 1/2in (28.2 x 176.5cm), the painting only; 11 1/4 x 45
           1/2in (28.5 x 115.5cm) the frontispiece; 11 1/8 x 100in (28.2 x 254cm)
           the calligraphy

           $10,000 - 15,000
           (傳) 錢谷 赤壁賦 設色紙本 手卷

           Provenance:
           Acquired in Tokyo, late 1950’s

           來源:
           1950年代購於東京

           14  |  BONHAMS
   11   12   13   14   15   16   17   18   19   20   21