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PROPERTY FROM THE COLLECTION OF                                            Nottingham and his home in Long Eaton. His pupils were of all ages
WALTER THOMAS GAZE COOPER                                                  and he was well known for his charisma, enthusiasm, and quirky
                                                                           ways, which endeared him to many. He was however a hard task
LOTS 307-329                                                               master expecting nothing less than his own commitment in others.

Gaze Cooper, as he was known, was a prolific composer and                  His pupils sometimes came face to face with his Asian art collection
musician, writing his first serious piece, a piano concerto, in 1923. He   as he often took a piece to place on the piano in his studio to help
studied at the Royal College of Music and wrote four piano concertos,      him to feel at home. Always willing to share his knowledge, he enjoyed
eight symphonies, an opera and many piano pieces, to list a few.           giving lectures locally where he would take prized objects with him to
                                                                           talk about.
His other great passion in life was collecting Egyptian, Chinese
and Greek art and antiquities. Gaze Cooper’s collection was most           In 1933 he founded the Midland Conservatoire of Music Symphony
impressive and Sir Mortimer Wheeler, the famed archaeologist, often        Orchestra which become the Nottingham Symphony Orchestra (NSO)
spoke of a rare artefact saying “that there are only two of its kind, one  in 1942 and is still going strong today. He conducted the orchestra for
in the British museum and the other in the Gaze Cooper collection”.        over fifty years.
In 1950 he was pictured in the Nottingham Evening News, cradling a
Tang Figure of Guanyin.

Gaze Cooper was a piano and theory teacher throughout his life,
still teaching at the age of 85 a few weeks before he died. He
taught at the Midland Conservatoire of Music and later at a studio in

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