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Chapter 07 (pp. 330-385)_Layout 1  7/7/10  5:42 PM  Page 358







                                                                           of the vessel is clothed in the silk tapestries so prized by
                                                                           the Mongols. Although these xiapei (literally, rosy cloud
                                                                           scarves) are believed to have been in use in China as early
                                                                           as the third century b.c.e., some particularly fine tapestry
                                                                           woven and embroidered examples were created during
                                                                           the Yuan dynasty. Further, the cloud collar lappet became a
                                                                           major  fourteenth-century  motif  for  porcelain  from
                                                                           Jingdezhen, and appears on both underglaze red and under-
                                                                           glaze blue wares (Figs. 7.39, 7.40). The dragons, birds, and
                                                                           floral backgrounds seen on the underglaze painted vessels in
                                                                           this  find  were  ubiquitous  on  textiles  of  central  Asia  and
                                                                           China created during the eleventh to fourteenth centuries. 99
                                                                             Many other motifs and layout conventions used for
                                                                           these  ceramics  have  counterparts  in  the  textiles  of  the
                                                                           era. The motif of lions on the wide belly of an octagonal
                                                                           faceted version of a yuhuchun bottle recovered from the
                                                                           Baoding find is used on an overglaze enamel bottle of the
                                                                           same  general  form,  but  not  faceted,  in  the  Tokyo  Na-
                                                                           tional Museum, as well as in central Asian Uighur, North-
                                                                           ern  Song,  and  Liao  textile  designs. 100  The  eight
                      7.39. Flask with underglaze copper red dragon decor, Yuan  trapezoidal floral panels on the flaring body of the octag-
                      dynasty, 34 cm tall, 8.5 cm mouth diameter, 26.5 cm foot  onal faceted ewer are similar in composition to the bulb-
                      diameter, made in Jingdezhen, Palace Museum, Beijing.
                                                                           shaped panels on some gold brocades. 101  Beaded banding
                      7.40. Dish or plate with flattened foliate rim and main decoration  resembling pearls, too, such as that seen around the pe-
                      featuring flying phoenixes in white against a blue ground, Yuan  riphery of the ogival panels on underglaze blue and cop-
                      dynasty, fourteenth century, 45.5 cm diameter. Originally housed  per red jars, was prominent on eighth-century silk made
                      at the Ardebil Shrine. Made in Jingdezhen. Iran Bastan Museum,
                                                                           in Sogdia (an ancient central Asian country the territory
                      Iran.
                                                                           of which is the Bukara region of present-day Uzbekistan).
                                                                           This banding motif continued to be used in central and
                                                                           eastern Asia through the Mongol period, and can be seen





































                 358  Yuan Dynasty Ceramics
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