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Chapter 07 (pp. 330-385)_Layout 1  7/7/10  5:42 PM  Page 362







                      represented  are  molded  Ding  dishes,  Ge  ware  censers  porcelain and now generally referred to as qinghua (blue
                      coarser  yet  similar  to  the  example  in  the  Asia  Society,  painted),  is  mentioned  fifteen  times; chuzhou (or
                      painted and black-glazed Cizhou wares, and Jian black-  Longquan  celadon)  seven  times;  celadon  (qing)  four
                      glazed tea bowls, the finest of which were produced in  times; and qingbai three times. 123
                      the twelfth century and were highly prized by tea enthusi-  Numerous other literary references to blue and white
                      asts in Japan.                                       demonstrate  its  popularity  at  the  time,  particularly  in
                        Another Yuan ship that is believed to have sailed out  Southeast Asia. The travel diary of Moroccan scholar Ibn
                      of  Ningbo,  and  which  sank  in  the  Bohai  Sea  near  Batuta (1307–1377), written in 1355, confirms the pres-
                      Suizhong  in  northeast  China’s  Liaoning  province,  has  ence of Chinese porcelain in Damascus in the early four-
                      also  yielded  significant  discoveries.  The  ship,  twenty-  teenth  century.  Leaving  Morocco  in  1325  and  finally
                      three yards long and tentatively dated to 1279–1333, is  arriving  at  Quanzhou  in  1345,  Batuta  later  visited
                      believed to have been bound for Korea, Japan, or both  Fuzhou,  Hangzhou,  and  Guangzhou.  He  claimed  that
                      because it carried a cargo of iron objects and Cizhou ce-  the porcelain bazaar at Guangzhou was the largest, and
                      ramics,  both  of  which  were  common  exports  to  these  served as the launching point for exports to other parts
                      two countries. 120                                   of China, India, and Yemen “from country to country till
                        These are just two of the Yuan dynasty ships that were  it reaches us in Morocco. It [Chinese porcelain] is cer-
                      part of a long tradition of trade between China and the  tainly the finest of all pottery-ware.” 124
                      other  kingdoms  in  Asia  and  Africa.  In  750,  the  Priest  Impressive collections of Yuan (and later Ming) blue
                      Ganjin (687–763), founder of the Toshodaiji Temple in  and white wares were accumulated by the Safavid shahs
                      Nara, Japan, described Guangzhou (old Canton in pres-  of Persia and the Ottoman sultans. Large quantities have
                      ent-day Guangdong province) as a port with countless  also been found in the ruins of Damascus and Fustat (old
                      Indian, Persian, and Indonesian trade ships. Many Arab  Cairo). Indeed archaeological evidence of the trade is to be
                      accounts from the ninth to the eleventh centuries also  found throughout Asia, the Middle East, and east Africa.
                      mention Guangzhou and the fine clay used by the Chi-  A growing number of shipwreck sites have supplemented
                      nese to produce porcelain. 121  And in a book written be-  these finds on land. One of these, a discovery in 2004 in
                      tween 1111 and 1117, Zhu Yu (son of the governor of  the Red Sea of high-quality Yuan blue and white, included
                      Guangzhou) reported that “the greater part of the cargo  dishes as large as 50 centimeters in diameter. 125
                      (on  ships  out  of  Quanzhou  in  present-day  Fujian
                      province)  consists  of  pottery,  the  small  pieces  packed  Porcelain for the Yuan Imperial Court:
                      within the larger, till there is not one crevice left.” 122
                        Yuan  commerce  far  exceeded  the  flourishing  Song A New Function for Imperial Kilns
                      trade,  and  the  tribute  owed  on  each  Yuan  sale  had  a
                      healthy  if  not  indispensable  effect  on  the  treasury.  Khubilai followed the Song model in establishing an im-
                      Quanzhou, identified by some as Marco Polo’s Zaytun,  perial kiln, but his kiln at Jingdezhen had a radically dif-
                      was an important fourteenth-century port for the porce-  ferent  purpose  than  did  earlier  imperial  kilns.  The
                      lain trade. As mentioned previously, a large Muslim mer-  Northern Song imperial kiln is surmised to have emerged
                      chant  community  lived  there  during  the  Yuan  period,  to  expedite  production  of  official  (guan)  celadon  wares
                      with  the  largest  contingent  being  from  Il-Khan  Persia.  for court ceremonies with “a body made of refined clay
                      One  sailor  from  Quanzhou,  Wang  Dayuan,  who  made  and a clear brilliant glaze.” It is believed that the North-
                      two major voyages out of Quanzhou between the years  ern Song imperial kiln, known as the Inner Kiln (Neiyao),
                      of 1328 and 1339, recorded in 1349 the types of Chinese  was located within the palace precincts in Bianjing (present
                      goods desired by ninety-nine places, mostly in Southeast  day Kaifeng, Henan province) to ensure that wares were
                      Asia, in the Daoyi zhilue (A brief account of the island for-  available for ritual ceremonies paying homage to heaven,
                      eigners).  Forty-five  destinations  preferred  Chinese  ce-  earth, and the ancestors. Tang dynasty (618–907) records
                      ramics, and there are sixty-eight ceramic entries in Wang’s  note  that  it  was  common  for  ceramics  desired  by  the
                      travelogue.  Sometimes  the  types  of  wares  desired  are  court to be supplied by private kilns as tribute. 126  During
                      mentioned specifically; other times a preferred shape is  the  Song  dynasty,  the  kilns  of  Ding,  Xing,  Yueh,
                      indicated, and once only the generic term porcelain (ciqi)  Jingdezhen, Yaozhou, and Jian not only paid taxes, but
                      is used. Of the specified types, qingbai hua (painted qing-  also supplied desired tribute wares. Records confirm that
                      bai), understood to be an early name for blue and white  even  after  the  establishment  of  the  Northern  Song

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