Page 24 - Bonhams Asian Art London November 5, 2020
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THE PROPERTY OF A LADY 女士藏品
                                                                          10
                                                                          A CARVED WOOD FIGURE OF GUANYIN
                                                                          Qing Dynasty
                                                                          The Goddess of Mercy seated in the posture
                                                                          of rajalilasana or ‘royal ease’ on a waisted lotus
                                                                          pedestal, leaning on her right arm with her head
                                                                          inclined to the left, the left hand holding a loop
                                                                          of drapery, the serene face with contemplative
                                                                          expression beneath the braided hair neatly arranged
                                                                          in an elaborate chignon secured by a foliate crown
                                                                          centred with a small figure of Amitabha Buddha at
                                                                          the centre, clad in a thin dhoti and adorned with
                                                                          elaborate jewellery, areas of pigment still visible.
                                                                          75cm (29 1/2in) high.

                                                                          £8,000 - 12,000
                                                                          CNY70,000 - 110,000

                                                                          清 木雕觀音坐像

                                                                          Provenance: a European private collection

                                                                          來源:歐洲私人收藏

                                                                          The iconography of the current figure is based on
                                                                          the Gandavyuha chapter of the ‘Flower Garland
                                                                          Sutra’ where Avalokiteshvara or Guanyin resided on
                                                                          Mount Potalaka when he was visited by Sudhana.
                                                                          The young adept found Guanyin seated on the
                                                                          rocky shores of the grotto ‘Sound of the Waves’
                                                                          contemplating the reflection of the moon in the
                                                                          water. At later times this specific form of Guanyin
                                                                          became referred to as the ‘Water-Moon Guanyin’; it
                                                                          was introduced in China during the 5th century and
                                                                          became highly popular during the Song dynasty.
                                                                          For a wood figure of ‘Water Moon Guanyin, Song
                                                                          dynasty, see an example in the Denver Art Museum,
                                                                          illustrated by D.Jenkins, Masterworks in Wood:
                                                                          China and Japan, New York, 1976, no.10.



































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