Page 36 - Bonhams Asian Art London November 5, 2020
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THE PROPERTY OF A EUROPEAN FAMILY 歐洲家族藏品          The so called ‘Teadust’ glaze was first produced in the Yongzheng
           Lots 26 - 32                                      period, using the same metallic colourant as Imperial yellow glazes (iron
                                                             oxide). Depending on the firing conditions, the glaze might fire a lighter
           26 *                                              yellowish brown, called ‘eel yellow’, or a greener hue, called ‘snakeskin
                                                             green’. The monochrome glaze complements the form of the porcelain,
           A RARE TEADUST-GLAZED BOTTLE VASE                 perhaps inspired by metalwork, especially archaic bronze forms.
           Qianlong seal mark and of the period
           The globular body rising from a spreading foot to a tapering neck   Compare with a similar Qianlong seal mark and period bottle of this
           and everted rim, covered overall in an olive-green coloured glaze   form and glaze, illustrated in The Prime Cultural Relics Collected
           flecked with a fine yellow mist, the base with a six-character seal mark   by Shenyang Imperial Palace Museum, vol.II, Liaoning, 2007, p.41.
           beneath a brown glaze.                            See another similar vase, Qianlong seal mark and of the period,
           18.8cm (7 3/8in) high.                            illustrated in Art of China: highlights from the Philadelphia Museum
                                                             of Art, London, 2018, p.200, no.79. See also Porcelains from the
           £15,000 - 20,000                                  Tianjin Municipal Museum, Hong Kong, 1993, pl.162. See also an
           CNY130,000 - 180,000                              example included in the exhibition Ethereal Elegance: Porcelain Vases
                                                             of the Imperial Qing, The Huaihaitang Collection, 2007, Hong Kong,
           清乾隆 茶葉末釉長頸瓶                                       no.64; and a vase illustrated by R.Krahl, Chinese Ceramics from the
           「大清乾隆年製」篆書模款                                      Meiyintang Collection, vol.2, London, 1994, no.935, which was later
                                                             sold at Sotheby’s Hong Kong, 8 April 2013, lot 6.
           Provenance: a European private collection, and thence by descent
                                                             See also a similar teadust-glazed bottle vase, Qianlong seal mark and
           來源:歐洲私人收藏,並由後人保存迄今                                of the period, which was sold at Sotheby’s Hong Kong, 5 April 2017,
                                                             lot 3668.



                                                  For details of the charges payable in addition to the final Hammer Price of each Lot
           34  |  BONHAMS                         please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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