Page 126 - Christie's Irving Collection Lacquer Bronse jade and Ink March 2019
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              L A C Q U E R  •  J A D E  •  B R O N Z E  •  I N K  T H E R V I N G  C O L L E C T I O N  髹金飾玉 - 歐雲伉儷珍藏




















        814   A HIGHLY IMPORTANT AND EXTREMELY RARE GILT-BRONZE
              FIGURE OF A MULTI-ARMED GUANYIN
              CHINA, YUNNAN, DALI KINGDOM, 11TH–12TH CENTURY         大理國   十一至十二世紀   鎏金銅觀音菩薩坐像
                                                                     來源
              Finely cast as a tantric image of Avalokitesvara (Guanyin) with three eyes
                                                                     泛亞收藏(克利斯蒂安.修曼,卒於1981年),紐約,入藏於1972年。
              and four arms shown seated with legs pendent, the primary hands held
                                                                     龐耐,紐約,1983年。
              in anjalimudra, the other pair resting on the knees, wearing an elaborate,
                                                                     歐雲伉儷珍藏,編號871。
              openwork crown, as well as beaded necklaces and other jewelry, and a dhoti
              tied with a sash below the waist, with two large pierced rectangular tenons   展覽
              projecting either side of the un-gilded upper back     借展於丹佛美術館,1972至1978年,借展編號77.1972。
              14√ in. (38 cm.) high, stand                           著錄
              $4,000,000-6,000,000                                   Anita Christy,‘The Irving Collection: At Home in The Metropolitan
                                                                     Museum of Art’,《Orientations》,1991年11月,頁61至67,圖11。
              PROVENANCE
              The Pan-Asian Collection (Christian Humann, d. 1981), New York, by 1972.
              Alice Boney, New York, 1983.
              The Irving Collection, no. 871.
              EXHIBITED
              On loan to the Denver Art Museum, 1972-1978, loan number 77.1972..
              LITERATURE
              Anita Christy, “The Irving Collection: At Home in The Metropolitan Museum
              of Art,” Orientations, November 1991, pp. 61-67, fg. 11.









































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