Page 25 - Christie's Important Chinese Art, March 23 to 24 2023 New York
P. 25

ⱷ1021
 A GREEN JUN BOWL  In the Song period, Jun wares from Yuxian, Henan province with areas   元ǎ鈞⒋天藍紫釉雙❢➬
 NORTHERN SONG DYNASTY (AD 960-1127)  of contrasting copper-red were widely admired. Much emphasis was   Ϝ源
          unsurprisingly placed on the quality of the thick, opalescent glaze. The
 3¬ in. (9.2 cm.) diam., Japanese wood box  most important characteristic of Jun glaze is the phenomenon known   "MGSFE $MBSL伉儷珍藏
 英४
 編號"*$
          as 'liquid phase separation' which is the formulation of tiny globules of   і敦蘇富比
     年 月  日
 拍品編號
 $8,000-10,000  lime-rich glass within the silica-rich glaze matrix, effecting the passage   і敦蘇富比
     年  月  日
 拍品編號
          of light in such a way as to produce an attractive blue effect. Jun ware   і敦邦瀚斯
     年  月 日
 拍品編號
          production understandably required great skill and control of the glaze and   展覽

 ٫宋ǎ鈞⒋綠釉盌  the firing conditions. Such delicate balances perhaps encouraged a degree   і敦
 Ǚ&YIJCJUJPO PG $IJOFTF "SU GPS $IJOFTF .FEJDBM 3FMJFGǚ
     年
          of experimentation as the effects of minute changes were observed and   і敦
 東方陶瓷學會Ǚ&YIJCJUJPO PG 4VOH %ZOBTUZ 8BSFT  $IVO BOE #SPXO
          understood, leading to the development of new styles of Jun decoration.   (MB[FTǚ
     年 月   日
                                                              ֨ḛ
          This jar is very unusual for its almost entirely reddish-purple surface. See a
 PROPERTY FROM THE COLLECTION OF EVELYN                       東方陶瓷學會
 Ǘ&YIJCJUJPO PG 4VOH %ZOBTUZ 8BSFT  $IVO BOE #SPXO
 ANNENBERG JAFFE HALL  jar of similar shape dated to the Yuan dynasty illustrated in A Panorama of
          Ceramics in the Collection of the National Palace Museum: Chün Ware, Taipei,   (MB[FTǘ
 і敦
     年
 圖錄編號
 1022     1999, no. 104. Under the Qianlong reign, the famous Imperial ceramics
 A RARE JUN VASE ON INTEGRAL STAND  supervisor, Tang Ying (1682-1756), sent a craftman to Yuxian to research into
 JIN-YUAN DYNASTY (1115-1368)  the glaze recipe of the Jun ware, and Jun ceramics with the same shape and
          glaze were created. See a Jun-type jar of related shape from the Qianlong
 7 in. (17.8 cm.) high  period in the Zande Lou collection illustrated in Qing Imperial Monochromes:
          The Zande Lou Collection, Shanghai Museum, Beijing Museum, and Art
 1021
 $7,000-9,000  Museum, The Chinese University of Hong Kong, 2005, pp. 118, no. 48.
 PROVENANCE:
 F. Schiller Collection, Betchworth Surrey, England.
 Tonying & Company, Inc., New York, 27 September
 1949.
 William B. Jaffe (1904-1972) and Evelyn
 Annenberg Jaffe Hall (1911-2005) Collection, New
 York, and thence by descent to the present owner.

 &7&-:/ "//&/#&3( +"''& )"-- 珍藏
 金 元ǎ鈞⒋連座瓶
 Ϝ源
 '  4DIJMMFS 珍藏
 貝奇沃思薩里
 英४                                                      1023 (another view)
 通運Ռ司 
 紐☼
     年 月  日
 8JMMJBN #  +BGGF 	         
 及 &WFMZO
 "OOFOCFSH +BGGF )BMM 	         
 珍藏
 紐☼
 後
 ҷ承至現藏家



 ANOTHER PROPERTY
 1023
 A JUN PURPLE AND BLUE-GLAZED JAR
 YUAN DYNASTY (1279-1368)
 6º in. (16 cm.) diam.
 $30,000-50,000
 PROVENANCE:
 Mr. and Mrs. Alfred Clark Collection, United
 Kingdom, no. AIC 716.
 Sotheby's London, 25 March 1975, lot 95.
 Sotheby's London, 11 December 1979, lot 227.
 Bonhams London, 7 November 2013, lot 11.
 EXHIBITED:
 London, Exhibition of Chinese Art for Chinese
 Medical Relief, 1938.
 London, The Oriental Ceramic Society, Exhibition
 of Sung Dynasty Wares: Chun and Brown Glazes,
 1st-3rd May 1952.

 LITERATURE:
 The Oriental Ceramic Society, Exhibition of Sung
 Dynasty Wares: Chun and Brown Glazes, London,
 1952, cat. no. 151.
 1022                                                       1023
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