Page 30 - Christie's Important Chinese Art, March 23 to 24 2023 New York

PROPERTY FROM THE COLLECTION OF EVELYN PROPERTY FROM THE COLLECTION OF EVELYN
ANNENBERG JAFFE HALL ANNENBERG JAFFE HALL
1029 1031
A CARVED QINGBAI BOWL A RARE SMALL CARVED QINGBAI TIXI-
SOUTHERN SONG DYNASTY (1127-1279) STYLE MEIPING
SOUTHERN SONG DYNASTY (1127-1279)
7º in. (18.4 cm.) diam., cloth box
7q in. (19 cm.) high
$4,000-6,000
$8,000-12,000
PROVENANCE:
William B. Jaffe (1904-1972) and Evelyn PROVENANCE:
Annenberg Jaffe Hall (1911-2005) Collection, New Tonying & Company, Inc., New York, 21 December
York, and thence by descent to the present owner. 1949.
William B. Jaffe (1904-1972) and Evelyn
Annenberg Jaffe Hall (1911-2005) Collection, New
&7&-:/ "//&/#&3( +"''& )"-- 珍藏
York, and thence by descent to the present owner.
南宋ǎ青白釉ח花盌
Ϝ源 The shape and decorations on qingbai wares were
often fashioned after contemporaneous silver
8JMMJBN # +BGGF
及 &WFMZO wares, and the current meiping is no exception.
"OOFOCFSH +BGGF )BMM
珍藏
紐☼
後 A silver meiping carved with ruyi-shaped scrolls,
ҷ承至現藏家
excavated in a Southern Song hoard in Sichuan,
for example, was possibly an inspiration for the
design of the current vase. The silver vase is
illustrated in S. Kwan, 'Tixi wenyang fenqi chuyi',
Proceedings of Conference on Ancient Chinese
Lacquer, Hong Kong, 2012, p. 65, fig. 11.

1029 &7&-:/ "//&/#&3( +"''& )"-- 珍藏
南宋ǎ青白釉仿ץṇח花梅瓶
PROPERTY FROM THE COLLECTION OF EVELYN
ANNENBERG JAFFE HALL Ϝ源
1030 通運Ռ司
紐☼
年 月 日
8JMMJBN # +BGGF
及 &WFMZO
A CARVED QINGBAI `BOYS' BOWL "OOFOCFSH +BGGF )BMM
珍藏
紐☼
後
SOUTHERN SONG DYNASTY (1127-1279) ҷ承至現藏家
8 in. (20 cm.) diam., cloth box

$5,000-7,000
PROVENANCE:
William B. Jaffe (1904-1972) and Evelyn
Annenberg Jaffe Hall (1911-2005) Collection, New
York, before 1972, and thence by descent to the
present owner.
Jan Wirgin, in Sung Ceramic Design, London,
1979, pp. 179-81, discusses the origin of the boys
among floral scrolls motif, citing the influence
of Indian cave art and the Buddhist motif of the
reborn souls on lotus flowers from the Tang
period. By the Song dynasty, when the design
was immensely popular on wares in various
materials such as silver, bronze, textile and jade,
and at different ceramic kilns including Yaozhou
and Ding, it is clear that it had become a popular
motif suggesting fertility and abundance.

&7&-:/ "//&/#&3( +"''& )"-- 珍藏
南宋ǎ青白釉嬰戲圖盌
Ϝ源
8JMMJBN # +BGGF
及 &WFMZO
"OOFOCFSH +BGGF )BMM
珍藏
紐☼
Ն
藏於 年ע
後ҷ承至現藏家

1030