Page 31 - Christie's Important Chinese Art, March 23 to 24 2023 New York
P. 31

PROPERTY FROM THE COLLECTION OF EVELYN   PROPERTY FROM THE COLLECTION OF EVELYN
 ANNENBERG JAFFE HALL  ANNENBERG JAFFE HALL
 1029     1031
 A CARVED QINGBAI BOWL  A RARE SMALL CARVED QINGBAI TIXI-
 SOUTHERN SONG DYNASTY (1127-1279)  STYLE MEIPING
          SOUTHERN SONG DYNASTY (1127-1279)
 7º in. (18.4 cm.) diam., cloth box
          7q in. (19 cm.) high
 $4,000-6,000
          $8,000-12,000
 PROVENANCE:
 William B. Jaffe (1904-1972) and Evelyn   PROVENANCE:
 Annenberg Jaffe Hall (1911-2005) Collection, New   Tonying & Company, Inc., New York, 21 December
 York, and thence by descent to the present owner.  1949.
          William B. Jaffe (1904-1972) and Evelyn
          Annenberg Jaffe Hall (1911-2005) Collection, New
 &7&-:/ "//&/#&3( +"''& )"-- 珍藏
          York, and thence by descent to the present owner.
 南宋ǎ青白釉ח花盌
 Ϝ源       The shape and decorations on qingbai wares were
          often fashioned after contemporaneous silver
 8JMMJBN #  +BGGF 	         
 及 &WFMZO   wares, and the current meiping is no exception.
 "OOFOCFSH +BGGF )BMM 	         
 珍藏
 紐☼
 後  A silver meiping carved with ruyi-shaped scrolls,
 ҷ承至現藏家
          excavated in a Southern Song hoard in Sichuan,
          for example, was possibly an inspiration for the
          design of the current vase. The silver vase is
          illustrated in S. Kwan, 'Tixi wenyang fenqi chuyi',
          Proceedings of Conference on Ancient Chinese
          Lacquer, Hong Kong, 2012, p. 65, fig. 11.

 1029     &7&-:/ "//&/#&3( +"''& )"-- 珍藏
          南宋ǎ青白釉仿ץṇח花梅瓶
 PROPERTY FROM THE COLLECTION OF EVELYN
 ANNENBERG JAFFE HALL  Ϝ源
 1030     通運Ռ司
 紐☼
     年  月  日
          8JMMJBN #  +BGGF 	         
 及 &WFMZO
 A CARVED QINGBAI `BOYS' BOWL  "OOFOCFSH +BGGF )BMM 	         
 珍藏
 紐☼
 後
 SOUTHERN SONG DYNASTY (1127-1279)  ҷ承至現藏家
 8 in. (20 cm.) diam., cloth box

 $5,000-7,000
 PROVENANCE:
 William B. Jaffe (1904-1972) and Evelyn
 Annenberg Jaffe Hall (1911-2005) Collection, New
 York, before 1972, and thence by descent to the
 present owner.
 Jan Wirgin, in Sung Ceramic Design, London,
 1979, pp. 179-81, discusses the origin of the boys
 among floral scrolls motif, citing the influence
 of Indian cave art and the Buddhist motif of the
 reborn souls on lotus flowers from the Tang
 period. By the Song dynasty, when the design
 was immensely popular on wares in various
 materials such as silver, bronze, textile and jade,
 and at different ceramic kilns including Yaozhou
 and Ding, it is clear that it had become a popular
 motif suggesting fertility and abundance.


 &7&-:/ "//&/#&3( +"''& )"-- 珍藏
 南宋ǎ青白釉嬰戲圖盌
 Ϝ源
 8JMMJBN #  +BGGF 	         
 及 &WFMZO
 "OOFOCFSH +BGGF )BMM 	         
 珍藏
 紐☼
 Ն
 藏於    年ע
 後ҷ承至現藏家


 1030
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