Page 77 - For the Love of Porcelain
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10       of a fisherman, one of the four ‘ideal  modified but clearly recognisable variation
 Jar in basket, China,   occupations’ of fisherman, woodcutter,  of the fisherman theme can be dated to
 undated, porcelain   farmer and scholar (yu qiao gen du). While   1816, as it was found on a ship that wrecked
 painted in   most of the vessels in the Pharmacy Museum   in the Malacca Straits in the same year; it has
 underglaze blue,   show abstract meditations on the theme, the   been attributed to Jingdezhen’s civil kilns. 17
 Deutsches Apotheken-  decoration of one jar displays a very succinct
 Museum Heidelberg,   image of an angler who stands in front of  While this essay provides a brief overview
 inv. no. II B 0428  a large body of water separated by three  of the re-framings of three types of Chinese
          trees from two shelter-like structures that  ceramic containers in different European, in
 11       represent the hermit’s temporary housing in   particular Dutch, contexts, more research
 Jar, China, undated,   a secluded mountainous area (fig. 11). A jar   has to be conducted into these jars from a
 porcelain painted in   of identical shape and decoration features in   global perspective. While some scholarship
 underglaze blue,   a drawing by the Dutch artist Maurits van  on Chinese trade in ceramic containers for
                             13
 16 x 15.5 cm, Deutsches   der Valk (1857–1935). Other examples  the South Asian market exists, 18  additional
                                       14
 Apotheken-Museum   have survived in museum collections,  and   studies are currently being conceptualised by
 Heidelberg,   the motif also appears on pharmacy grinding   Eva Ströber and others. As illustrated by a
 inv. no. II B 0424  bowls and mortars.  A jar of identical shape   last example from the Berlin collections
                        15
          and decoration can be dated to before 1876,   (fig. 12), jars that European collectors
 12       as it was found in a fishing boat that sank  continue to call ‘ginger jars’ were re-framed
 Jar, West-Turkestan,   in the Netherlands in 1876. 16  The earliest  not only in Europe and South Asia, but also
 undated, earthenware,   datable example of this type with a slightly   in places like West Turkestan.
 Ethnologisches Museum,
 Staatliche Museen zu
 Berlin, Preußischer
          Notes
 Kulturbesitz, Berlin,
 inv. no. I B 16497,
            1   E. Ströber, La Maladie de Porcelaine, East Asian    7  Examples include Paul Cézanne, Pot de    13  Maurits van der Valk, Gemberpot met
 photo: Martin Franken                      gingembre, c. 1895, oil on canvas, Barnes       Chineesche poppetjes, 1880–1916, ink on
               Porcelain from the Collection of Augustus the
                Strong, Leipzig 2001, p. 36.       Foundation, inv. no. BF23; Paul Cézanne,       paper, reproduced in O. Barendsen,
            2  A. Watsky, ‘Locating “China” in the Arts of  Stilleben mit Blumen und Früchten, oil on       ‘De humor in het werk van M. W. van der Valk’,
               Sixteenth-Century Japan’, Art History 29(4)       canvas, Staatliche Museen zu Berlin,   Elsevier’s Geïllustreerd Maandschrift 52 (1916),
               (2006), p. 603 and pp. 613–24 (600–24).       inv. no. A I 965.       p. 441 (441–51). Source: https://rkd.nl/nl/
            3  Examples include: Victoria and Albert    8  Olive green examples include: lidded jar,       explore/images/105099. Accessed 28 April
               Museum, London, museum nos.        Zhangzhou, 1575–1625, private collection,  2016.
               C.819&A-1910, 274&A-1886, C.821&A-1910;       published in S. Ostkamp, ‘Exportkeramiek uit    14  Staatliche Museen Preussischer Kulturbesitz,
               British Museum, London, reg. no. Franks  Zhangzhou’, Vormen uit Vuur 206/207(3-4)       Berlin, inv. no. H V 73 A; Fries Scheepvaart
               144; Museum of Fine Arts, Boston, acc. no.       (2009), p. 25, (16–37); Schloss Friedenstein,       Museum, 1985-227 (sailors’ souvenirs
               95.542, 13.1556; Metropolitan Museum of        Gotha, inv. no. C480K.       collection); Schloss Friedenstein Gotha,
               Art, New York, acc. nos. 79.2.265a, b;     9  A.-L. Muir, ‘Ceramics in the Collection of the       inv. nos. C404K, C591K, C599K. Groningen
               Smithsonian Institute, Washington D.C., acc.       Museum of Chinese Australian History,       Museum, inv. no. 1930.0412.
               nos. F1992.14a-b, F1995.3.2a-b, F1995.3.1a-b;    Melbourne’, Australasian Historical     15  P. Unschuld, Medicine in China: Historical
               Museum für Angewandte Kunst, Wien, inv.  Archaeology 21 (2003), pp. 45–46, p. 46       Artifacts and Images, Munich/London/New
               nos. KE 8835, KE 8196; Staatliche Kunstsamm-       (42–49); National Maritime Museum,       York 1999, p. 155, plate 61, and in a slightly
               lungen, Dresden, inv. nos. PO 1164, PO 1165,       Greenwich, inv. no. AAA6190; Oakland       modified version, p. 154, plate 55.
               PO 1166, PO 1167; Princessehof National        Museum of Canada, inv. no. H74.639.2177.     16  Rijksdienst voor het Cultureel Erfgoed,
               Museum of Ceramics, Leeuwarden, inv. no.    10  For comparison see, for example, Fairy and       afdeling Scheepsarcheologie, Lelystad,
               NO 2216.                     Crane, 18th century, China, embroidery with       OF60-170; source:
            4  British Museum, acc. no. Franks 1009;        silk, pearls and coral beads, Metropolitan  http://www.geheugenvannederland.nl/?/nl/
               Metropolitan Museum of Art, New York, acc.       Museum of Art, acc. number 25.59.1.       items/NISA01:1131 (accessed 28.4.2016).
 It is within collections of medical material  Cézanne’s and Hagemeister’s still lifes       nos. 65.155.53a, b; Staatliche Museen, Berlin,    11  Muir (op. cit. note 9), p. 46. N. Wood, Chinese    17  British Museum, inv. no. 1995,0619.1.a-b;
 culture rather than museums of ceramics or   (fig. 10). While these braided casings that       acc. no. ID 37 509; examples that can be       Glazes: Their Origins, Chemistry, and Recreation,       source: http://www.britishmuseum.org/
               found on online auction platforms are too       London 1999, p. 224.  research/collection_online/collection_
 applied arts that the third significant type of   provide the porcelain body with a handle    12  See F. Scollard, Shiwan Ceramics: Beauty, Color,  object_details.aspx?objectId=226258&part
               numerous to cite.
 ginger jar can be situated.   appear frequently in nineteenth- and mid-    5  E. Ströber, Symbols on Chinese Porcelain: 10.000       And Passion, San Francisco 1994, pp. 41, 44,  Id=1&searchText=no.+1995,0619.1.
 twentieth-century still lifes, this example is       x Happiness, Stuttgart 2011, p. 132.       61; Y.-C. Huang (ed.), The Shiwan-Ware Ceramic       a-b&page=1. Accessed 29 April 2016.
            6  Piet Mondriaan, Stilleven met gemberpot I,        Collections of the National Museum of History,      18  M. Hsieh, ‘The 16th and 17th Century Chinese
 Eight ‘ginger jars’ are inventoried in the  one of the few that has been preserved. In       Stilleven met gemberpot II, 1911–12, oil on       Taipei 1995, pp. 105, 106, 124.       Ceramics excavated at Hongwulan-Site, Yilan,
 German Pharmacy Museum. One of them  the Pharmacy Museum the jar in a casing is        canvas, 65.5 x 75 cm,   Taiwan’, Taoci Shouji 2 (2012), pp. 147–49.
 features the same woven grass or bamboo  paired with other examples without casings        Solomon R. Guggenheim Museum, acc. no.
            L295.76.
 casing that is prominently depicted in  that all show underglaze blue depictions

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