Page 33 - March 17, 2020 Impotant Chinese Art, Sotheby's, New York
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           A FINE PEACHBLOOM-GLAZED ‘BEEHIVE’        ‘Peachbloom’ waterpots of this characteristic form are
           WATERPOT                                  known as taibai zun, after the Tang dynasty (618-907) poet
           KANGXI MARK AND PERIOD                    Li Taibai (701-762). A notorious drinker, he is often depicted
                                                     leaning against a wine jar of this form, as seen in a porcelain
           finely potted in the classic domed ‘taibai zun’ form, the   sculpture of the same period in the Palace Museum, Beijing,
           slightly tapered sides rising to rounded shoulders and short   illustrated in Kangxi, Yongzheng, Qianlong. Qing Porcelain
           waisted neck below a lipped mouth rim, the exterior evenly   from the Palace Museum Collection, Hong Kong, 1989, pl.
           applied overall save for the rim and base with a rose-pink   89. While this form is commonly described as a waterpot, its
           glaze variegated in dark and light tones and mottled with   intended use is difficult to identify, as noted by Regina Krahl
           raspberry-tinged flecks, the body incised with three stylized   in ‘Peachbloom’, Chinese Porcelain from the 15th to the 18th
           archaistic dragon roundels, the recessed base with a six-  Century, Eskenazi, London, 2006, p. 10. It is imagined that
           character mark in underglaze blue         vessels of this type were filled with water to allow a painter
           Diameter 5 in., 12.7 cm                   to dip their brush and then shape it on the neck. However,
                                                     Chinese painters typically dip their brush directly into the
           PROVENANCE                                ink, previously prepared by grinding an ink cake with a few
           Collection of the T.B. Walker Foundation.   drops of water.
           Sotheby’s New York, 29th November 1988, lot 225.  Similar waterpots include one in the Palace Museum,
                                                     Beijing, illustrated in op. cit., pl. 125; another in the Shanghai
                                                     Museum, published in Wang Qingzheng, ed., Kangxi
                                                     Porcelain Wares from the Shanghai Museum Collection,
                                                     Hong Kong, 1998, pl. 206; a third from the Sir Percival David
                                                     Collection and now in the British Museum, London, included
                                                     in Illustrated Catalogue of Ming and Qing Monochrome
                                                     Wares, London, 1989, no. 580 and on the cover; and a
                                                     further example from the collections of Edward T. Chow and
                                                     the British Rail Pension Fund, sold twice in our Hong Kong
                                                     rooms, 25th November 1980, lot 66, and again 16th May
                                                     1989, lot 61.

                                                     $ 100,000-150,000
                                                     清康熙   豇豆紅釉團龍紋太白尊
                                                     《大清康熙年製》款

                                                     來源
                                                     T.B. Walker 基金會收藏
                                                     紐約蘇富比1988年11月29日,編號225
































           62      SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10644                                                                                                                                           63
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