Page 148 - Bonhams Fine Chinese Art November 2018
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           A THANGKA OF WHITE TARA                           The present thangka probably belongs to a set of twenty-one
           18th century                                      depictions of Tara according to the Atisha Lineage, which arose
           Distemper on cloth, depicting White Tara with a red halo in the centre   from the ‘Twenty-one Praises of Tara’ tantra spoken by the Buddha
           seated in lalitasana on a lotus throne, surrounded by lush green foliage   Samantabhadra. Each Tara had a specific colour and accomplishes
           and blooming flowers and fruits as well as the Four Guardian deities,   a specific activity. Tara is a completely enlightened Buddha who, in
           Buddha, and a Lama, consecrated on the reverse with handprints.   a previous life, promised to appear as a female bodhisattva for the
           45cm (17 6/8in) high x 29cm (11 1/2in) wide.      benefit of all beings. In this white form, the deity bestows longevity and
                                                             health and her practices are found in both the Nyingma traditions and
           £3,000 - 5,000                                    the new Sarma schools of Tantric Buddhism.
           CNY27,000 - 45,000
                                                             Compare with a thangka depicting the White Tara, 18th century, from
                                                             the Rubin Museum of Art, New York (acc.no.F1997.23.4), illustrated in
           十八世紀   彩繪白度母唐卡                                    Himalayan Art Resources, no.339.

           Provenance: Navin Kumar, Paris
           Fournier Collection, Paris
           A European private collection, acquired from the above in the 1980’s

           來源:
           巴黎古董商Navin Kumar
           巴黎Fournier收藏
           歐洲私人收藏,於1980年代購自上者



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           144  |  BONHAMS                        please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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