Page 135 - japanese and korean art Utterberg Collection Christie's March 22 2022
P. 135

45
 SUDA KOKUTA (1906-1990)
 Untitled
 Signed Koku to the lower right corner
 Gouache, charcoal and mixed media on paperboard; framed
 23Ω x 15Ω in. (59.7 x 39.5 cm.)
 $5,000-7,000

 One could hardly define Suda Kokuta’s artistic style. This
 influential artist started his career as a figurative painter. He was
 quite a successful artist then – winning various awards and joined
 artist groups. However it was not until 1950s that he started
 to create in an abstract manner he was known for nowadays.
 During the 1950s, groups of artists shared a common interest
 in exerting freedom of expression, separate from the influence
 of the antiquated art associations. In 1952 Suda co-founded the
 Modern Art Discussion Group (Genbi) which provided a forum
 for discussions on art theory and practice amongst its members
 who also included Jiro Yoshihara (1905-1972) and Shiryu Morita
 (1912-1998); these discussions would later form the foundations of
 the Gutai group. Although Suda did not join the group to keep his
 practice independent, inevitable attention flew to him domestically
 and internationally. In his later career, Suda began to focus on
 producing bold calligraphic works featuring Buddhist dictums.
 Buddhism spirit was always part of his creative activity. He was
 such an pure yet persistent person that a priest once referred to him
 as Kyoojin Kokuta, or Madman Kokuta. What on top of canvas
 and paper were not only thick layers of materials, but also Kokuta’s
 pure heart, passion and spiritual minds. Kokuta Suda’s works are
 in numerous museum collections, including Miho Museum, Los
 Angeles County Museum of Art and The Metropolitan Museum
 of Art.


 須田剋太 (1906-1990) 無題
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