Page 88 - Sothebys Classical Paintings and Caligraphy September 2018 New York

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ANONYMOUS
DAI XI 1801-1860
EXAMINATION TIME IN THE LANDSCAPE AFTER WANG MENG
CAPITAL
ink and color on paper, hanging scroll
ink and color on silk, hanging scroll
signed Chunshi biaodi Dai Xi, dated dingyou
poem inscribed on the painting by Fu Wangwen (1837), the twelfth lunar month, with a
(Active Late 17th-Early 18th Century), signed dedication and one seal of the artist, lu chuang
Fu Wangwen, with three seals, fu wang wen yin, shi hua
hou cun, one illegible 61.9 by 37.9 cm. 24⅜ by 15 in.
182.5 by 41.5 cm. 71⅞ by 16⅜ in.
EXHIBITED
EXHIBITED
Heritage of the Brush: The Roy and Marilyn
Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix
Papp Collection of Chinese Painting, Phoenix Art Art Museum, March 18- May 7, 1989; Mary and
Museum, March 18- May 7, 1989; Mary and Leigh Leigh Block Gallery, Northwestern University,
Block Gallery, Northwestern University, March March 8-April 22, 1990; Arthur M. Sackler
8-April 22, 1990; Arthur M. Sackler Museum, Museum, Harvard University, September
Harvard University, September 28-November 28-November 24, 1991; Spencer Museum of Art,
24, 1991; Spencer Museum of Art, University of University of Kansas, October 25-December
Kansas, October 25-December 27, 1992; Columbus 27, 1992; Columbus Museum of Art, Columbus,
Museum of Art, Columbus, Ohio, April 18-June Ohio, April 18-June 20, 1993; Elvehjem Museum
20, 1993; Elvehjem Museum of Art, University of Art, University of Wisconsin-Madison,
of Wisconsin-Madison, January 29-March 20, January 29-March 20, 1994; Crocker Art
1994; Crocker Art Museum, California, October Museum, California, October 30-December
30-December 31, 1997; Georgia Museum of Art, 31, 1997; Georgia Museum of Art, University of
University of Georgia, January 31-March 28, 1999; Georgia, January 31-March 28, 1999; Fleming
Fleming Museum of Art, University of Vermont, Museum of Art, University of Vermont, October
October 3-December 10, 2000 3-December 10, 2000
Transcending Turmoil: Painting at the Close of
LITERATURE
China’s Empire 1796-1911, Phoenix Art Museum,
Heritage of the Brush: The Roy and Marilyn August 22-October 4, 1992; Denver Art
Papp Collection of Chinese Painting, Phoenix Art Museum, November 7, 1992-January 3, 1993;
Museum, 1989, cat.23, p. 75 Honolulu Academy of Arts, March 17-April 19,
1993; Hong Kong Museum of Art, May 14-July
$ 10,000-20,000
18, 1993
䃉㫦ġ揹㷾挾数ġ姕刚䴡㛔ġ䩳庠 LITERATURE
Jinshi jia Shuhua Ji, Tokyo: Nigensha, reprint of
柴䔓⽫烉㧸䫮䳃䳃㛃挾数炻㗍桐㟫㛶Ⱄ the Shanghai 1924 edition, 1976, vol. 1, p. 229
婘攨ˤ揹㷾㶭⎷䍲䐂䵚炻ᶵ屈Ṳ䘯⽉㤝 Heritage of the Brush: The Roy and Marilyn
】ˤ‭䌳暗ˤ憸⌘烉‭䌳暗⌘ˣ⍂恐ˣ Papp Collection of Chinese Painting, Phoenix Art
ᶨ⌘ᶵ彐 Museum, 1989, cat. 41, pp. 118-119
Jane Wai-Yee Leong, The Art of Dai Xi (1801-
⯽奥 1860) (Master’s thesis), Arizona State
˪䫮侘ᷳ怢ȹ伭Ẳ冯䐒渿咖ġƸġ㳦㘖⣓⨎䍵 University, 1991, Þ g. 8
Transcending Turmoil: Painting at the Close of
啷ᷕ⚳丒䔓˫炻沛↘❶喅埻⌂䈑棐炻1989
⸜3㚰18㖍Į5㚰7㖍烊大⊿⣏⬠䐒渿␴⇑ China’s Empire 1796-1911, Phoenix Art Museum,
1992, cat. 14, pp. 52-53
ⶫ㳃⃳喅埻⌂䈑棐炻1990⸜3㚰8㖍Į4㚰 Chu-Tsing Li, “Looking at Late Qing Painting with
22㖍烊⑰ἃ⣏⬠旧䐇ġƸġ崃⃳≺喅埻⌂䈑
New Eyes”, in Ju-hsi Chou (Ed.), Art at the Close
棐炻1991⸜9㚰28㖍Į11㚰24㖍烊⟒啑㕗 of China’s Empire, Arizona State University,
⣏⬠⎚屻岥喅埻⌂䈑棐炻1992⸜10㚰25 Phoebus 8, 1998, Þ g. 1, p. 23
㖍Į12㚰27㖍烊ὬṍὬⶆ⒍ΐⶫ喅埻⌂䈑
棐炻1993⸜4㚰18㖍Į6㚰20㖍烊⦩㕗⹟彃 $ 8,000-12,000
⣏⬠刦䵕侘喅埻⌂䈑棐炻1994⸜1㚰29
㖍Į3㚰20㖍烊≈⇑䤷⯤Ṇⶆ⃳伭⃳喅埻
⌂䈑棐炻1997⸜10㚰30㖍Į12㚰31㖍烊╔㱣
Ṇ⣏⬠╔㱣Ṇ喅埻⌂䈑棐炻1999⸜1㚰31
㖍Į3㚰28㖍烊ἃ呁䈡⣏⬠⺿厲㖶喅埻⌂䈑
棐炻2000⸜10㚰3㖍Į12㚰10㖍
↢䇰
˪䫮侘ᷳ怢ȹ伭Ẳ冯䐒渿咖ġƸġ㳦㘖⣓⨎䍵
679
啷ᷕ⚳丒䔓˫炻沛↘❶喅埻⌂䈑棐炻1989
⸜炻⚾抬䶐嘇23炻䫔75枩
㲐烉‭䌳暗炻⹟䅁⚃⋩Ḽ⸜᷁ㆴ炷1706炸
86 SOTHEBY ’S 䥹忚⢓ˤ