Page 74 - Lunyushanren Col II

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南 A GUAN-TYPE LONGQUAN TRIPOD CENSER 南宋 龍泉窯仿官釉弦紋奩式爐
宋 SOUTHERN SONG DYNASTY (1127-1279)

龍

泉 The censer has a cylindrical ribbed body with a countersunk base 來源
supported on three cabriole legs and rises to an inverted broad rim. 康利夫勛爵珍藏；倫敦邦瀚斯， 2002年11月11日， 拍品32號。
窯 It is covered, overall with a warm golden ivory glaze suffused with 千秋庭，東京。

extensive icy crackles and a wider network of dark crackles.

米 46 in. (12 cm.) diam., Japanese wood box 展覽
色 借展於英國威爾斯國立博物館，加迪夫，1991-2002年，編號
NMWA(L)765。

青 $50,000-60,000 £38,000-45,000 千秋庭，東京， 《創立10週年紀念展覽會》， 2006年。
HK$390,000-460,000
磁 佳士得，《古韻天成：臨宇山人宋瓷珍藏展覽》，香港，2012年11
月22至27日；紐約，2013年3月15至20日；倫敦，2013年5月10
三 PROVENANCE
Lord Cunliffe (1899-1963) Collection; Bonham’s London, 至14日。
11 November 2002, lot 32.
足 著錄
千秋庭，《中國美術蒐集》，東京，2006年，60頁，編號73。
香 Sen Shu Tey, Tokyo.

炉 EXHIBITED 佳士得，《古韻天成：臨宇山人宋瓷珍藏展覽》，香港，2012
年，181頁，編號78。
On loan to the National Museum of Wales, Cardiff, 1991-2002,

no. NMWA(L)765. 直口，筒身，下承三足，爐底向下凸出。薄胎厚釉，釉面瑩徹，
Sen Shu Tey, The Collection of Chinese Art - Special Exhibition ‘Run 釉色米黃，釉面冰裂狀開片疏密不一。
Through 10 Years’, Tokyo, 2006.

Christie’s, The Classical Age of Chinese Ceramics: An Exhibition of Song 奩式爐多見於南宋龍泉粉青釉器，如本品米色釉者極為罕見，日本
Treasures from the Linyushanren Collection, Hong Kong, 學者稱之為「米色青瓷」(Beishoku celadon)，意指其釉色帶殼稻
22 to 27 November 2012; New York, 15 to 20 March 2013; 米之金黃。有學者認為此類青瓷為南宋郊壇下官窯所產。
London, 10 to 14 May 2013.

LITERATURE
Sen Shu Tey, The Collection of Chinese Art - Special Exhibition
‘Run Through 10 Years’, Tokyo, 2006, p. 60, no. 73.
Christie’s, The Classic Age of Chinese Ceramic: An Exhibition of Song
Treasures from the Linyushanren Collection, Hong Kong, 2012, p. 181,
no. 78.

Although the glazes of most Longquan celadon wares exhibit a
cool, bluish-green hue and lack crackles, fne crackled wares were
also made at the Longquan kilns during the Southern Song period.
Renowned archaeologist Professor Zhu Boqian has suggested that
the Longquan kilns began to make crackled wares around 1200 in
imitation of the Southern Song crackled Guan wares made at
the Jiaotanxia kilns, near Hangzhou. (Rosemary Scott, “Guan
or Ge Ware: A Re-Examination of Some Pieces in the
Percival David Foundation”, Oriental Art, Summer 1993,
vol. 39, no. 2, p. 19.) According to excavation reports, places
where these Longquan wares in the Guan style were made include
Xinting, Aodi, and Shanshu Lianshan in Dayao County and
Wayaoqing, Kulouwan, and Lijiashan in Xikou County. See Sung
Guan Yao Te Zhan (Catalogue of the Special Exhibition of Sung
Dynasty Kuan Ware), National Palace Museum, Taipei, 1989,
p. 30.

It is very rare to fnd a Longquan censer of this form covered
with a golden crackled glaze. A Longquan censer of this form,
but covered in the more commonly seen bluish-green glaze, was
discovered in 1991 in Suining, Sichuan province, amongst a cache
of ceramics dating from the late Southern Song period, and is
illustrated in Newly Discovered Southern Song Ceramics, A Thirteenth-
Century “Time Capsule”, Tokyo, 1998, p. 32, no. 23.

The Classic Age of Chinese Ceramics 古韻天成 — 臨宇山人珍藏（二） 72