Page 210 - 2018 Hong Kong Important Chieese Art
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           A FINELY CARVED IVORY BRUSHPOT            清康熙   牙雕故事人物圖八吉祥筆筒
           QING DYNASTY, KANGXI PERIOD
                                                     來源:
           of cylindrical form, the exterior densely carved in various   美國東岸收藏
           levels of relief with a continuous heavenly landscape scene
           with figures, depicting on one side a procession of peasants
           and ladies riding on scrolling clouds carrying various tools and
           weapons, journeying towards a city gate, in a distance further
           figures seated on a cart following another group climbing up
           the mountains, opposite another group on the other side of the
           mountain about be engaged in combat with a troop of warriors,
           the reverse with two fully armed warriors carrying weapons
           threatening a group of ladies in the city, all amidst elaborate
           tiered pavilions and cragged rockwork with trees and shrubs,
           the rim encircled by the beribboned bajixiang (Eight Buddhist
           Emblems), the stepped foot with a key-fret band between lotus
           lappets, the ivory patinated to a creamy tone
           17.5 cm, 6⅞ in.
           PROVENANCE
           An American east coast collection.

           HK$ 800,000-1,200,000
           US$ 102,000-153,000


           Masterfully carved with a dense landscape scene inhabited
           by figures that unravels like a traditional scroll painting, the
           present brushpot is an outstanding and rare example of ivory
           scholarly objects from the Kangxi period. An otherworldly
           quality is captured in through the enigmatic landscape, created
           through the varying depths of carving of mountains, openwork
           trees and ruyi clouds, which form an attractive contrast with
           the intricately carved diaper ground. As such, it is reminiscent
           of the finest lacquer carving. A great sense of naturalism has
           also been dexterously captured in the figures, as seen through
           the folds of their garments and animated poses.
           A brushpot carved in a similarly complex style, depicting Daoist
           immortals in a landscape, the rim also fashioned with a narrow
           band enclosing Buddhist and Daoist emblems, attributed to
           the 17th/18th century, was sold at Christie’s New York, 25th
           March 2010, lot 854. See further related ivory brushpots,
           such as one decorated with scholars and attendants under
           pine trees, attributed to the early Qing dynasty, from the Qing
           Court collection and still in Beijing, illustrated in The Complete
           Collection of Treasures of the Palace Museum. Bamboo, Wood,
           Ivory and Rhinoceros Horn Carvings, Shanghai, 2001, pl. 142;
           and another carved with figures and an ox amidst pavilions in
           a landscape, but without a border encircling the rim, attributed
           to the first half of the 18th century, from the Irving collection,
           included in the Oriental Ceramic Society exhibition Chinese
           Ivories from the Shang to the Qing, British Museum, London,
           1984, cat. no. 176.












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