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           AN INSCRIBED MINIATURE GILT-BRONZE        明洪武    鎏金銅袖珍釋迦牟尼佛坐像
           FIGURE OF SHAKYAMUNI BUDDHA                     《洪武丙子四月吉日施》銘
           MING DYNASTY, HONGWU PERIOD, DATED
           1396                                      銘文:
                                                     周府欲報四恩命工鑄造如來佛相一樣五千四十八尊
           depicted seated in vajraparyankasana on a lotus base raised on   俱用黃金鍍之。
           a hexagonal plinth, the right hand held in bhumisparshamudra
           and the left in dhyanamudra, wearing a pleated robe falling in   周府欲報四恩命工鑄造佛相一樣五千四十八尊俱用黃金鍍
           loose folds over his legs, with the undergarment gathered just   之,所以廣陳供養崇敬如來吉祥如意者。
           below the opened chest, the serene face with downcast eyes   洪武丙子四月吉日施。
           and a meditative expression flanked by long pendulous ears,
           the hair punched with tight curls centred by an ushnisha with   來源:
           an ovoid jewel atop, incised on the reverse and around the   Robert Bigler,紐約,2013年3月
           pedestal with a long inscription dated Hongwu bingzi year (in
           accordance with 1396)                     出版:
           5.6 cm, 2¼ in.                            Robert Bigler,《Art and Faith at the Crossroads》,蘇
                                                     黎世,2013年,編號26
           PROVENANCE
           Robert Bigler, New York, March 2013.
           LITERATURE
           Robert Bigler, Art and Faith at the Crossroads, Zurich, 2013,
           cat. no. 26.

           HK$ 150,000-200,000
           US$ 19,200-25,500

           This small and finely cast gilt-bronze figure is one of the
           finest quality and best preserved of a group of small figures
           of Shakyamuni which can be securely dated to 1396. They
           relate to a larger standing gilt-bronze of Amitabha in the
           British Museum, dated 1396, that demonstrates the stylistic
           transition between the Yuan dynasty and later Ming bronzes.
           See Wladimir Zwalf, ed., Buddhism: Art and Faith, London,
           1985, p. 208, cat. no. 300. For other examples from the same
           group as the current figure, see one illustrated in Gems of
           Beijing Cultural Relics Series: Buddhist Statues I, Beijing, 2001-
           2004, p. 73, pl. 34, and another sold at Christie’s New York,
           18th/19th September 2014, lot 1023.
           As translated in Robert Bigler, Art and Faith at the Crossroads,
           Zurich, 2013, p. 72, the inscription reads that the present
           figure was “commissioned by Zhou Fu to repay the Four
           Kindnesses (of mother, father, Tathagata and the teaching
           of the Doctrine)”. He instructed the craftsmen to cast a total
           of 5048 gold images of Shakyamuni Buddha for the further
           spreading of the Law on an auspicious day of the 4th month of
           the bingzi year of Hongwu (1396).
























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