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Foreword
Gary Goldstein’s exhibition Well Being The exhibition marks the transformation
touches the raw nerves of Israeli society, of painting into an act of well-being,
which are especially sensitive to the memories which – alongside additional, necessary
of Holocaust survivors and their children. actions – enables the artist to survive the
Displayed on one side of the gallery are small everyday. In addition, it attends to the sense
drawings on paper in the style of comics, which of wonder that the artist feels when observing
feature portraits of women as well as body the finished works, which contain unconscious
parts, drops of blood, bisected whales, and elements, memories and emotions that
flowers uprooted from the soil. On the other surfaced during the creative process.
side of the gallery, the artist has situated works
combined with texts that bespeak various The exhibition was planned to close at the
forms of distress, anxiety, and memories of end of March 2020. Due to the COVID-19 crisis,
a childhood in the shadow of spent parents. however, it is now inaccessible to the public,
These texts appear in the gallery space in the and its official closing date remains unknown
form of a sound work by Etty BenZaken. at this time. Like Gary Goldstein, today more
than ever we are all in need of our daily rituals,
There exists a stark contrast the artist, the which provide us each with some sense of
man with the soft, quiet voice appearing in the well-being.
video work in the gallery foyer, and between the
works exuding violence, longing for a female I thank Shira Friedman and the staff of
figure, and distress that provokes an ambiguous the Schechter Gallery for this excellent and
sense of suffocation. This contrast reminds us inspiring exhibition, and hope we will soon
all of repression and its price among Holocaust return to the gallery and to ourselves.
survivors and their children.
Romina Reisin
Indeed, the schoolchildren who visited the Director, Neve Schechter
exhibition internalized the power of art and
the importance of art-making as both a creative
act and a therapeutic process, which provides
the artist with some psychological relief.
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