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                                  “Fustest with the Mostest”            223

              large doses and over long periods of time for an illness like arthritis.
                 When acetaminophen became available without prescription, the
              first brand on the market was presented and promoted as a drug for
              those who suffered side effects from aspirin. It was eminently suc-
              cessful, indeed, far more successful than its makers had anticipated.
              But it was this very success that created the opportunity for creative
              imitation. Johnson & Johnson realized that there was a market for a
              drug  that  replaced  aspirin  as  the  painkiller  of  choice,  with  aspirin
              confined  to  the  fairly  small  market  where  anti-inflammatory  and
              blood coagulation effects were needed. From the start Tylenol was
              promoted as the safe, universal painkiller. Within a year or two it had
              the market.
                 Creative imitation, these cases show, does not exploit the failure of
              the pioneers as failure is commonly understood. On the contrary, the
              pioneer must be successful. The Apple computer was a great success
              story,  and  so  was  the  acetaminophen  brand  that  Tylenol  ultimately
              pushed out of market leadership. But the original innovators failed to
              understand  their  success.  The  makers  of  the  Apple  were  product-
              focused rather than user-focused, and therefore offered additional hard-
              ware  where  the  user  needed  programs  and  software.  In  the Tylenol
              case, the original innovators failed to realize what their own success
              meant.
                 The creative innovator exploits the success of others. Creative imi-
              tation is not “innovation” in the sense in which the term is most com-
              monly understood. The creative imitator does not invent a product or
              service; he perfects and positions it. In the form in which it has been
              introduced, it lacks something. It may be additional product features.
              It may be segmentation of product or services so that slightly differ-
              ent versions fit slightly different markets. It might be proper posi-
              tioning of the product in the market. Or creative imitation supplies
              something that is still lacking.
                 The creative imitator looks at products or services from the view-
              point of the customer. IBM’s personal computer is practically indistin-
              guishable from the Apple in its technical features, but IBM from the
              beginning offered the customer programs and software. Apple main-
              tained traditional computer distribution through specialty stores. IBM—
              in a radical break with its own traditions—developed all kinds of distri-
              bution channels, specialty stores, major retailers like Sears, Roebuck, its
              own retail stores, and so on. It made it easy for the consumer to buy and
              it  made  it  easy  for  the  consumer  to  use  the  product.  These,
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