Page 42 - Unlikely Stories 1
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Ladreque’s Last Case


                     From Fantastic Transactions, volume 1 (1990)

          Arsène Ladreque shuffled convincingly across the drably- carpeted
        gallery floor, exchanging greetings in Tagalog with another guard at
        the entrance to Masterpieces of the Golden Treasury. The Tahoe Museum
        of Art had closed hours earlier; only maintenance and security
        personnel remained within to ply their trades throughout the night.
        No one but Aston Goodly-Gronch, the museum’s director, knew
        that one of Offshore Rent-a-Cop’s night-shift guards was in fact an
        undercover investigator.
          Knowing his reputation,  a consortium of insurers  had overcome
        their  skepticism  and  given  Ladreque  an  opportunity  to  prove  his
        theory that thievery of some of Europe’s greatest artworks was being
        accomplished on an unprecedented scale using unbelievable methods.
        In turn, an informal association of museum trustees had grudgingly
        acquiesced  to  Ladreque’s  request  for  co-operation,  if  only  to  keep
        him  from  taking  his  fantastic  story  to  the  tabloids.  The
        embarrassment and expense to the owners and insurers of the works
        in question would be phenomenal, should the former turn out to be
        victims of the disappearance of the latter.
          But there was the rub.  Nothing was actually missing, and no art
        expert  in  the  world  could  examine  a  piece  on  Ladreque’s  list  and
        declare  it  anything  other  than  its  original  self.  The  part-time  kick-
        boxing instructor and connoisseur of Balkan goat cheese stood alone,
        insisting that a high-tech ring of art thieves was getting away with a
        fortune in paintings, sculpture, and decorative arts. His explanations
        were abstruse, technical, and circumstantial, a loosely knotted skein
        of largely unacceptable evidence. If he could not produce anything
        better, the case would be dropped. For Ladreque, it was a test of his
        abilities, the crown of his career. His intuition had not failed before,
        and this time it led him to the Schlagenkirch Altar, on loan to Tahoe
        and  insured  for  seven  million  pounds  sterling.  He  walked  past  the
        heavily-gilded miniature monument to Late Gothic genius, giving it

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