Page 43 - Unlikely Stories 1
P. 43

Ladreque’s Last Case



        merely a sidelong glance. All the security devices spun off from the
        last  American  jungle  war  were  in  place around  the  imputed  target:
        motion detectors, photoelectric cells, infrared sensors. Ladreque did
        not  expect  those  measures  to  be  defeated  when  the  attempt  was
        made; rather, their warning would be ignored, since what they were
        guarding  would  not  have  been  removed.  Or  so  the  others  would
        think—all  those  soi-disant  experts  with  supercilious  airs  who  had
        dismissed Ladreque’s report and its conclusions.
          His  investigation  had  begun  innocently  enough,  almost  eighteen
        months earlier, when he had been called to the scene of one of these
        “accidental” alarm trippings. With British Museum personnel at his
        side, he had examined the pedestal supporting Maledicta’s Cherub in
        Flight,  the  Late  Baroque  sculptor’s  unassailable  masterpiece  in
        mahogany. The image of airborne angelic avoirdupois was present on
        its pedestal, every feathery ringlet intact and in place—down to the
        millimeter and milligram. It was slightly off-center and turned from
        the position in which it had been carefully spot lit by the curators.
        But that was clearly the result of a collision between the stand and a
        utility cart carelessly pushed by a preparator working after hours. The
        bells  had  rung,  guards  had  come  running;  but  the  miscreant  had
        already  fled  the  scene,  observed  only  at  the  moment  of  the  doors
        closing on the service elevator used as a getaway conveyance. Upon
        questioning,  none  of  the  museum  personnel  would  admit  to
        culpability,  nor  would  any  of  them  put  the  finger  on  any  of  the
        others. Ladreque made little of the incident at the time, but it came
        back to his mind about a year later.
          At that time, he was reviewing the literature on dating techniques
        for an article he was writing for  Popular Antiquities. The number of
        elements  whose  isotopic  decay  could  be  used  to  establish  the
        approximate  century  and  decade  of  the  origin  of  the  materials
        constituting  a  manufactured  object  was  increasing,  and  Ladreque
        took  it  upon  himself  to  keep  up  to  speed  on  such  developments.
        Among  the  arcane  accounts  of  research  thus  perused,  he  found  a
        curious  item.  Carbon  14,  the  first  such  test  in  wide  use,  had  been
        supplemented  by  more  subtle  measurements  of  rare-earth  isotopes

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