Page 18 - Unlikely Stories 4
P. 18

Gorgonzola



        times,  the  two  men  heard  a  latch  creaking  within.  The  door  was
        opened by an old man, gaunt and wizened.
          Lucio  launched  into  a  flattering  explanation  of  how  this
        distinguished American had made the  journey to Salvezza Cieca in
        order to observe its time-honored methods of cheese making.
          The man scowled and waved his arms, speaking in broken Italian
        to Lucio and considerably worse English to Elster. “No ingress! Go!
        No turistas! No vendita! Go! You get out! Go home! No business!”
          Elster realized the cheesemaker was blind.
          “Please,” he coaxed. “I will pay you. I love your gorgonzola! I have
        money. I want to see how you make your cheese!”
          But the old man would not give an inch. Not for love or money.
        Elster did not stop his entreaties until the door was closed in his face.
        Lucio looked at him and shrugged.
          “He  is  not  Italian.  His  accent  is  Greek.  Some  things  he  said  I
        would not care to translate for you. Almost like cursing.”
          They trudged back to the inn, Lucio asking where he would like to
        go next. Elster looked at him and shrugged.
          They missed the daily bus that made the rounds of villages in the
        region of Pascolo Strano. Lucio did not mind. And it gave Elster time
        to think. The dairy was remote, its owner blind and the moon almost
        full in a clear sky: a man with a flashlight could sneak in at night and
        examine  the  contents  of  that  workshop  at  his  leisure.  Elster  was
        confident that he knew enough about duplicating Salvezza Cieca to
        discover quickly what was different about the process here at its place
        of origin.
          That  night  he  waited  until  the  inn  was  silent,  except  for  Lucio
        snoring in the next room. Elster crept out quietly into the courtyard
        and again waited for a few minutes while his eyes adjusted to partial
        darkness. He  could clearly  see the path to his destination.  No one
        else was up that late at night: crickets were all he could hear.
          Once  at  the  fence  around  the  caseificio  he  stopped  again.  Not  a
        sound.  The  fence  was  designed  to  keep  unshod  ungulates  in,  not
        bipeds in sneakers out. He scaled it easily, reorienting himself once he
        was  back  on  the  ground.  Yes:  there  was  the  workshop,  across  the
        garden.  He  found  a  path  through  it  and  moved  quickly,  almost
        bumping into an odd life-size carving of a man twisted at an oblique
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