Page 137 - Labelle Gramercy, On the Case
P. 137

Soaked to the Bone

          “Mr. Lane, your father’s death might not have been an accident. I
        must ask you to describe that conversation.”
          He  balked,  staring  at  her  with  an  odd  mix  of  defiance  and
        incomprehension. Maybe I could be of use here.
          “Tim,” I said softly, “it’s over. All the conflicts you had with G.F.
        are  going  to  come  to  light.  Your  privacy,  although  protected  in
        various ways by the law, will be pushed to the limit by its enforcers.
        My own life has suddenly become an open book, and I realize that
        the  only  way  to  close  it  again  is  to  let  a  few  pages  be  turned  by
        strangers. I know you have already had many bad experiences with
        the medical and legal professions. This one may be the last for a long
        time. You can start putting a lot of things behind you now, but first
        we all need to get the immediate problem resolved.”
          Had he heard me? I waited. Finally he blinked. And blinked again,
        this time to push tears out of his eyes.
          “I’m sorry,” he gasped, stiffening his back and clenching his fists.
        “My last moments, my last memories of Dad will be of an argument,
        an escalation of verbal abuse which drove me out of the house in a
        black rage. I guess everybody knows he wouldn’t give me any credit
        or any payment for the screenplay. And he was beginning to show
        signs  of  interest  in  Fern  Grotteau  that  I  could  not  stand  by  and
        watch.”
          “Had he exploited you before?”
          “Yes, but I was too weak to resist. In fact, I needed work, needed
        someone to control my life and give it structure, and nobody would
        hire me because of—well, various reasons. I did a lot of his writing.
        He could barely string two sentences together. I edited. I proofread. I
        composed  letters  to  agents,  to  creditors,  to  lawyers.  I  checked
        everything  before  he  signed  on  the  dotted  line.  And  I  made
        suggestions,  some  of  which  helped  him  a  great  deal.  The  business
        keeps  changing:  an  older  person  has  no  idea  what  is  going  to  be
        popular. So when I started writing stories, he made sure he got hold
        of them before I could show them to anyone else. The Organ Harvest
        Festival was the first he decided to turn into a treatment for a major
        motion  picture.  As  such,  it  was  worth  a  lot  of  money.  But  he
        considered it his own property, and found ways to cut me out of it. I
        came here to plead for enough money at least to get away from here,
        to start a new life in another city. Not a chance.”

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