Page 17 - Unlikely Stories 2
P. 17

Blind Faith


          “Señores, thank you for graciously consenting to meet me here, on
        the stage of Teatro de la Zarzuela, instead of in my office. I felt it
        would be appropriate.”
          Boreas Fluegelmann, the flamboyant impresario, spoke loudly but
        respectfully to his guests, Jorge Luis Borges and Joaquin Rodrigo. He
        was  aware  that  the  blind  could  be  insulted  by  people  raising  their
        voices in conversation with them on the  unconscious presumption
        that they were also hard of hearing. But he had positioned himself to
        play to the galleries, so the two old men could get a feeling for the
        sonorities of the hall.
          Their guides had led them to straight-back wooden chairs facing
        Fluegelmann. They sat impassively, stage lights glinting off their dark
        glasses, while the impresario went on at some length about the great
        honor they had bestowed upon him,  and how fortunate he was to
        find both of them in Madrid at the same time. They acknowledged
        the flattery modestly, and waited for his proposal.
          “As you  are aware,  our own  Spanish opera,  the  zarzuela, after a
        long period of decline, is beginning to revive. That is occurring now,
        in the nineteen-seventies, as the Anglo-Saxon world is creating new
        forms  of  musical  drama,  through  rock  operas  and  imported  non-
        Western  epics,  driven  by  the  voracious  appetite  of  Broadway
        theatregoers and the demands of television. With my finger on the
        pulse of popular taste and cultural change, I feel that the time is ripe
        for  innovation  in  zarzuela.  And  I  cannot  think  of  two  more
        distinguished  creative  talents  to  make  this  happen  than  you  two
        gentlemen.”
          Again Borges and Rodrigo simply nodded.
          “Allow me to present our idea for this unprecedented production.
        An ancient Hindu fable illustrates the limits of human perception and
        the moral that may thereby be drawn. An elephant is encountered by
        six blind men, none of whom has previously encountered that beast.
        Able only to use their sense of touch, they come up with a different
        description of the huge pachyderm, depending upon which part of it
        their hands happen to find. That fable is known to all, and provides
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