Page 10 - Fables volume 1
P. 10

How the Frog Orchestra Lost its Third Alto

        repetition and sudden shifts in rhythm. Nevertheless, I continued to
        listen and observe, wondering what bizarre principles could animate
        such cacophony.”
          He paused for dramatic effect, a wasted hiatus.
          “Finally, I learned their secret. One day I saw two humans stop and
        exchange  places  in  the  middle  of  a  piece.  Then  they  continued,
        without it making any difference! You see, each one has a prearranged
        part, which exists independently of the individual playing it.”
          “That’s not news to me,” said Kodok Besar.
          “But  don’t  you  see  the  possibilities?”  persisted  Eatabugus.  “We
        could do the same thing; we’re smarter than they are, so we can learn
        much  more  complicated  parts.  I  have  already  composed  several
        symphonies based on their simple melodies. We could double or triple
        every section and blow our competition out of the water!”
          The  old  bull  emitted  a  raucous  roar.  “Bah!  That’s  preposterous!
        Don’t you know anything about our own traditions? Has no one told
        you the truth about human music?”
          “Uh, what do you mean, Your Supreme Wartiness?” said the youth,
        racking his brain for honorifics and crouching even lower.
          “You find fault with our music because it is spontaneous, and praise
        the humans because theirs is programmed. Now, let me tell you why
        things are as they are. We, the frogs, were the first to invent ensemble
        music. Birds and bugs have copied us, but we perfected the art, long
        before those bamboo-bangers crawled out of the jungle looking for
        something to do with their thumbs.”
          “And why,” Kodok went on portentously and pedantically, “is our
        version  superior?  Because  it  has  evolved  naturally,  over  many
        generations of frogkind. Each of us appears to produce notes at our
        own discretion, according to whim, yet together we produce beautiful
        sounds.  You  may  call  it  accidental  polyphony  via  collective
        improvisation,  but  only  by  ignoring  the  selective  process  that  lies
        behind it. All that I, as leader, need do is tune the instrument of your
        voices,  tell  you  when  to  start  and  stop,  and  hire  or  fire  those  who
        please or displease me.”
          He crossed his enormous red eyeballs and brought them to bear on
        Eatabugus, who cringed. But the bull continued.

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