Page 65 - The Myth and the Moment
P. 65

Evening

        hardwoods.  Not  incriminating,  except  in  taste.  Drawers  locked?
        Nope.  Pens,  envelopes,  old  utility  bills,  the  detritus  of  any
        household’s  accounting.  An  address  book:  yes,  the  very  volume  in
        which I signed away my life’s work. Ah, can the bathos, Evangelino.
        Now, everything back the way it was. Fingerprints? Who cares? I’m
        an honored guest here, right? Right. But where are the papers relating
        to his business? Does he have an office somewhere else? At least a
        real sofa in here: check under the cushions. Ah, a nickel: I won’t leave
        empty-handed!
          The closet. Why not? Probably just old shoes and—hello! A heavy-
        duty  industrial-strength  solid  steel  filing  cabinet.  Four  drawers,
        labeled.   Taxes.  Projects  Pending.  Projects  Completed.  Treatments.
        Yeah.  Treatments.  Let  me  just  have  a  look  at  those.  Locked!
        Damnation! Others: all locked. That is a serious-looking mechanism;
        needs  two  keys  to  open.  What  the  hell  does  he  have  in  there,  the
        Pentagon’s  war  plans?  This  isn’t  a  safe;  couldn’t  be  jewels  or  gold
        coins or negotiable securities. Phil would have all his rake-offs in a
        safe-deposit  box  in  a  respectable  bank  somewhere.  Maybe
        Switzerland. But this is it, the source of his Midas touch. Intellectual
        capital, invested  in the  right  places at  the  right  time.  Ideas  for  TV
        series,  scripts  for  schlock  exploitation  movies,  scenarios  for  beer
        commercials.
          My God! That’s what he did! Scooped up everything I was working
        on, didn’t even look at it, threw it in the Treatments drawer, intends
        to doctor it up later and sell it as his own.
          Urnk!
          Open, damn you! Open! Calm down, Nate: you want to dislocate
        your  shoulder?  You  don’t  have  the  strength  to  wrench  this  open.
        Kolpak  must  have  the  keys  on  him.  Spares?  Hidden  in  here?  I’ve
        already  searched  the  desk.  God!  What  to  do?  What’s  that?  Car
        coming  up  the  hill,  shifting  down.  Quick,  close  the  closet  door.
        Chimney  lacking,  Sanity  Clause  has  no  egress  but  his  ingress;  and
        that’s a good guess. Zip! Out onto the deck, clean as a whistle, swift
        as a cat, quiet as a mouse. Car doors closing. Should I pretend to be
        asleep in the chair? Can’t: the note’s in my shoe, damn it! Well, just
        be  casual,  eh?  The  old  Hollywood  character  lounging  lizard-like
        poolside. And here he comes around the side of the house. Trying to
        sneak up on me?

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