Page 66 - The Myth and the Moment
P. 66

Evening

          “Nate? How are you feeling? You had us worried—I mean, you
        had  me  worried.  Lin  used  to  work  in  a  hospital—not  in  this
        country—and she said you just fainted and needed to rest a little bit.
        Anyway,  because  of  that  flap  over  the  leftovers,  we  didn’t  have
        enough  food  in  the  house  for  dinner.  Did  you  see  the  note  I  left
        you?”
          “Yeah.  I ate it.”
          Maybe I can get him off-balance.
          “Ha-ha.  That sounds like the old Nate Evangelino.  Well, will you
        stay? I’d really like to settle this business.”
          He looks serious. Okay, I’ll look serious, with perhaps a soupçon
        of insanity around the irises and knuckles.
          “Actually, Phil, I had no intention of leaving before we settled it.”
          “Good! Come inside; I’ll tell Lin to put another TV dinner in the
        microwave.”
          Evangelino the Avenger rises slowly from his terrible throne, girds
        again  his  horrible  loins,  follows  with  unbearable  deliberation  his
        nemesis,  Kolpak,  Prince  of  Plagiarism,  into  the  dark,  forbidding
        House of Shredded Secrets, not forgetting, for a single instant, the
        deadly danger that lurks within. I am not about to trade The Myth and
        the  Moment  for  an  aluminum  tray  of  rehydrated  potato  flakes,
        vulcanized carrots, and a laser-cut lump of mammalian muscle fiber
        marinated  in  embalming  fluid.  But  I  am  famished!  Does  he  know
        that? What else did she learn in that hospital?
          “Just slide the screen door closed behind you, Nate. In these hot
        months  we  leave  the  plate  glass  doors  open  around  the  clock;
        otherwise, the place heats up like an oven. What do you think of the
        sculpture?  It’s  a  rice-paper  Van  Ordiner,  from  his  Constructivist
        period; cost me  a bundle,  but  you can’t beat art  as  an  investment.
        Tell you what: let’s go in my office. Lin! He’ll stay.”
          Slam!
          “Okay, Phil honey. I get out of freezer.”
          God! Don’t come out of the kitchen and see my face! Phil goes on,
        trailing an effluvium of chatter like diesel exhaust. Let him talk, let
        him  talk; right into a hole. Then  see if  his  shovel  can  double  as  a
        ladder. What I need is an approach, a way to get to him other than
        the primordial, instinctive, and profound fear of litigation. A chink in



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