Page 96 - The Myth and the Moment
P. 96

Evening

        future  as  a  cat-burglar.  Heart  pounding  drowns  out  sounds  the
        footpad ear has got to hear.  Look at that: left the sliding glass doors
        open; just locked the screens, no doubt. Stupid house not built for
        climate,  overheats  in  summer,  underheats  in  winter.  There’s  that
        fancy  carpeting  and  foolish  artwork  and  flimsy  furniture  on  the
        living-room floor. What pretension!  Bet it would all go up in flames
        like old newspapers.
          Noise! Better duck behind the pump housing! What was that? An
        owl? Some sort of bird on Phil’s TV antenna. Well, well: what have
        we here? A brand new crescent wrench. Must be what Phil was using
        when he screwed up his backwash this morning. The instrument of
        my downfall, perhaps. I’d like to bash in his—wait a minute. Yeah.
        This is it. Just very slowly, very firmly, turn on the water going into
        the pool. Yeah. Now it’s on full blast, silently raising the level, inch
        by inch. It’s really a shame Phil let so much evaporate away during
        the hot spell; now I’ll have to help him. Another turn and—oh, dear.
        Broke the valve. Now he won’t be able to turn it off. Hee-hee-hee!
          Time to go. Bet this wrench is also his only means of turning off
        the water coming in from the main. Oops. Dropped the wrench over
        the fence. Tough luck, buddy. In about five minutes that living room
        ought to be flooded. Maybe another five or ten before it’s up high
        enough for osmosis to get them wet under their silk sheets. All very
        slowly  and  quietly,  not  like  the  madcap  bucket  brigade  of  the
        sorcerer’s apprentice sloshing water all over the place. Close the gate,
        Mr. Pool Man, another satisfied customer satisfied to be a customer.
        Walk down to Sunset? Not again. Those cops will blow me away on
        sight. Phil’s car. Why not? Don’t have the keys, and there’s no time to
        hot-wire,  but  the  door’s  unlocked  now,  and  it’s  pointing  downhill.
        Yeah.
          Okay. Manual transmission. Power brakes? No matter, I’ll pop the
        clutch once I’m rolling and the transmission can take the strain. And
        away we go! Great: not a sound, nobody else on the street. Damn!
        Where is first gear? Should be over—aghh, what a noise! Must have
        stripped a bit of reverse there; Phil’s going to need a new gearbox—
        at  least.  Whoa!  Took  that  turn  too  fast,  got  to  slow  down  more.
        Pump those brakes, Evangelino! Down and down we go, round and
        round we go—how’s that old song go? Boy, this is great fun, a real
        adrenaline  rush.  Hmm.  Plenty  of  action  down  on  Sunset,  even  on

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