Page 261 - The Legacy of Abraham Rothstein - text
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Reminiscences

           I remember one odd thing. While he was on his route one day, he
        was offered a piece of art. Egyptian art, he was told, and very old. I
        think he paid two dollars for it. He brought it home, and showed off
        his mitziah, that he had bought so cheap. Well, it turned out to be a
        brass artillery shell that somebody in the war zone had punched out
        into  the  face  of  a  familiar  comic  strip  figure  of  that  time!  He  was
        completely taken in by it.
           He had a truck, about two-ton; a stake-bodied truck. He bought it
        used, and would run it until something went wrong with it. Then he
        would  get  it  home  somehow,  and  at  night  start  repairing  it.  He
        bought  another  used  motor,  same  size  as  the  truck’s,  and  he
        overhauled that. After that, whenever the motor had a problem, he
        would exchange it for the one he had just rebuilt. I would help him
        install it. He had a pit dug in his garage. It was not a one-man job, but
        he did it himself before I came into the family. He had a hoist, and I
        would have to line up the engine with the transmission while he was
        under there. We would do this Sundays and at night.
           Even  then,  when  he  was  on  his  routes,  when  he  would  see
        someone chopping down a tree, he’d stop and get out and ask for a
        piece of the wood. He didn’t know what kind of wood it was, but he
        would take it home and then figure out what he could make out of it.
        He’d start from scratch with that branch or some boulder he’d picked
        up, and chip away at it. He wouldn’t spend any money on tools. And
        you couldn’t buy him any tools, either: Carmel and Hilda wanted to,
        but he wouldn’t have it. His blades were chipped and his methods
        were primitive, but he carved away, and some of his pieces are pretty
        good.  He  was  like  Grandma  Moses,  who  was  making  a  name  for
        herself at that time: start from nothing, and teach yourself.
           I gave him some laminated blocks from my wood-turning shop to
        work on; he would tell me what size he wanted and I would make it
        up for him—or, if I had something in the shop big enough, I would
        cut it down to size. Sometimes I’d have a big solid piece of wood or
        an end of a piece of hardwood and give it to him to carve. He had no
        experience with wood, didn’t know the different types. Actually, he
        learned  carving  when  he  was  a  yeshiva  bucher:  he  would  carve  the
        Chanukah dreidels, and was good enough at it to be in demand by the
        other people in his village. When he didn’t have to get up at four in
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