Page 6 - The Legacy of Abraham Rothstein - text
P. 6

Introduction

        and grandchildren indicates the strength of his urge to maintain links
        to the past, to insert himself forcefully into the stream of cultural ebb
        and flow.
           We,  his  heirs,  will  find  other  reasons  to  appreciate  his  works.
        Regardless of our commitment to the specific traditions he sought to
        preserve and promote, we may share his passion for knowledge and
        self-analysis,  his  regret  about  knowing  so  little  about  his  own
        antecedents,  and  his  love  of  a  good  story  or  clever  piece  of
        handiwork.  And  none  of  us,  unto  a  good  many  generations,  will
        avoid  manifesting  a  vestige  of  AR’s  personality,  be  it  via  some
        fractional  helping  of  chromosomes  or  a  behavioral  pattern  passed
        down  from  parent  to  child:  his  influence  was  that  strong,  and  we
        cannot fail to benefit by recognizing it in ourselves. Finally, despite
        the  man’s  anonymity,  he  was  remarkable;  his  accomplishments
        should be a source of family pride, and could be a centripetal force in
        the future.
           This  book  has  several  sections,  arranged  to  provide  the  reader
        with  an accumulation of information applicable to the last part, an
        analysis  of  AR’s  sculpture.  Following  the  long  autobiographical
        narrative and other writings is a collection of family reminiscences;
        they supplement AR’s narrative with an external view of his life and
        personality,  yielding  insight  into  both  his  own  words  and  the
        following  catalogue raisonné.  That  final  section  has  its  own
        introduction, relating the preceding composite picture of AR to the
        carvings he produced in his final years.  The remainder of this general
        introduction  deals  with  his  testament:  what  it  is  and  what  can  be
        inferred from it.
           Two great ironies, neither apparently appreciated by AR, bracket
        his  life.  The  first,  concerning  his  birth,  is  discussed  below;  the
        second, connected with the end of his life, is of immediate interest.
        Being widowed at the age of seventy, when he had expected to die
        long  before  his  wife,  was,  as  he  painfully  perceived  it,  the  great
        tragedy  of  his  life—but  also  the  source  of  motivation  and
        opportunity  to  create  his  legacy.  Had  Fannie  lived,  the  emotional
        turmoil and empty hours out of which the testament and sculpture
        emerged  would  not  have  occurred.  His  creative  powers,  largely
        dormant through decades of manual labor and domestic tranquility,
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