Page 35 - Fujifilm Exposure_45 Ondine_ok
P. 35
THE DP VIEW
TOM TOWNEND
Sam would accept no compromise when it came to shooting on 35mm. We ended up shooting a lot of stock
w“hich was probably down to two reasons: the unpredictability of the young cast, and that Sam liked to cover scenes in their entirety.
Within a week it became fairly obvious I wanted to shoot almost every- thing on the ETERNA 400T simply because I think it’s the only stock of any description on the market which has this particularly quiet look and a very naturalistic rendition.
But most appealing of all is that it’s a low contrast stock, and one of the most filmic I know.
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FUJIFILM MOTION PICTURE • THE MAGAZINE • EXPOSURE • 33
TV IN FOCUS
