Page 36 - Fujifilm Exposure_45 Ondine_ok

FESTIVALS & EVENTS
NEWNEGATIVEFILMFROMFUJIFILM
ujifilm Motion Picture has Fannounced the release of a new, high saturation, high speed,
tungsten film, ETERNA Vivid
500T. This new addition to Fujifilm’s wide range is a high contrast film that provides punchy, vivid colours under multiple challenging shooting conditions including night scenes. ETERNA Vivid 500T inherits its saturated colour, superior sharpness and excellent skin tones from the acclaimed ETERNA Vivid 160T. The new film provides a seamless match with the ETERNA Vivid 160T.
“Our new colour negative film expands the parameters for shooting sharp, intense colour into the realm of night scenes,” says Jerry Deeney from Fujifilm Motion Picture.
“ETERNA Vivid 500T gives exceptional image quality even
during telecine transfer for TV
work or digital processing of motion picture footage. It is important to note that the ETERNA Vivid 500T is in addition to, and not replacing, Fujifilm’s existing ETERNA 500T”
Fujifilm is launching the new Vivid range to achieve a more colour saturated and higher contrast look.
ETERNA Vivid 500T complements the different looks available in the company’s high speed film range: ETERNA 400T - Low Contrast ETERNA 500T - Medium Contrast ETERNA Vivid 500T - High Contrast
Among the first features to use the new ETERNA Vivid 500T are: Chatroom (UK)
Director: Hideo Nakata,
DP: Benoit Delhomme.
It’s A Wonderful Afterlife (UK) Director: Gurinder Chadha,
DP: Dick Pope BSC
Don’t Be Afraid Of The Dark (Australia) Director: Troy Nixey, DP: Oliver Stapleton BSC
ETERNA Vivid 500T is available now in 35mm Type 8547 in 400ft and 1000ft rolls and in 16mm Type 8647 in 100ft and 400ft rolls.
ear,” says director Kathryn
ONRELEASEAUGUST28 THEHURTLOCKERFBigelow, “has a bad reputation, Ackroyd BSC on 16mm Fujicolor
ETERNA 500T 8673 and ETERNA 250D 8663, opens in the UK on August 28.
Bigelow goes on: “Fear is clarifying. It forces you to put important things first and discount the trivial. When Mark Boal, the writer, came back from a reporting trip to Iraq, he told me stories about men in the Army who disarm bombs in the heat of combat – obviously, an elite job with a high mortality rate.
“When he mentioned that they are extremely vulnerable and use little more than a pair of pliers to disarm a bomb that can kill for 300 metres, I was shocked. When I learned that these men volunteer for this dangerous work, and often grow so fond of it that they can imagine doing nothing else, I knew I had found my next film.”
The Hurt Locker, co-stars Jeremy Renner, Anthony Mackie and Brian Geraghty with powerful cameos by Ralph Fiennes, Guy Pearce and David Morse.
Photos left: DP Barry Ackroyd BSC with cast and crew of The Hurt Locker on location in Jordan
34 • EXPOSURE • THE MAGAZINE • FUJIFILM MOTION PICTURE
but I think that’s ill-deserved.” Her latest film, The Hurt Locker, photographed by Barry